About the Book
As dawn breaks over the city of Florence on New Year's Day 1557, Jacopo da Pontormo is discovered lying on the floor of a church, stabbed through the heart. Above him are the frescoes he labored over for more than a decade―masterpieces all, rivaling the works of Michelangelo in the Sistine Chapel. When guards search his quarters, they find an obscene painting of Venus and Cupid―with the face of Venus replaced by that of Maria de' Medici, the Duke of Florence's oldest daughter. The city erupts in chaos. Who could have committed these crimes: murder and lèse-majesté? Giorgio Vasari, the great art historian, is picked to lead the investigation. Letters start to fly back and forth―between Maria and her aunt Catherine de' Medici, the queen of France; between Catherine and the scheming Piero Strozzi; and between Vasari and Michelangelo―carrying news of political plots and speculations about the identity of Pontormo's killer. The truth, when it comes to light, is as shocking as the bold new artworks that have made Florence the red-hot center of European art and intrigue. Bursting with characters and historical color, Laurent Binet's Perspective(s) is a whodunit like no other―a labyrinthine murder mystery that shows us Renaissance Florence as we've never seen it before. This is a dark, dazzling, unforgettable book.
About the Author :
Laurent Binet was born in Paris in 1972. He is the author the debut novel HHhH, which won the Prix Goncourt du Premier Roman and was named one of the fifty best books of 2015 by the New York Times. His memoir, La Vie professionnelle de Laurent B., tells of his experience teaching in secondary schools in Paris. He is a professor at the University of Paris III, where he lectures on French literature.
A two-time Audie Award winner, veteran actor Robert Fass is equally at home in a wide variety of styles, genres, characters, and dialects. An eight-time Audie nominee with over 225 unabridged audiobooks to his credit, Robert has also earned multiple Earphones Awards. In addition, his work was listed among AudioFile's Best Audiobooks of the Year in 2011, 2012, 2013, 2016, and 2018. Robert has given voice to modern and classic fiction writers alike, including Ray Bradbury, John Steinbeck, Carlos Fuentes, Jeffrey Deaver, and Nele Neuhaus, plus bestselling nonfiction works in history, politics, health, journalism, philosophy, and business. A two-time Audie Award winner, veteran actor Robert Fass is equally at home in a wide variety of styles, genres, characters, and dialects. An eight-time Audie nominee with over 225 unabridged audiobooks to his credit, Robert has also earned multiple Earphones Awards. In addition, his work was listed among AudioFile's Best Audiobooks of the Year in 2011, 2012, 2013, 2016, and 2018. Robert has given voice to modern and classic fiction writers alike, including Ray Bradbury, John Steinbeck, Carlos Fuentes, Jeffrey Deaver, and Nele Neuhaus, plus bestselling nonfiction works in history, politics, health, journalism, philosophy, and business. Eve Passeltiner is an audiobook narrator who trained in New York and Italy as an actress and has performed on stage in New York, New England, and the Southwest. The voice for multiple women in The Washington Post's Webby Award Nominee The Women of Kabul, she has a passion for narrating stories of gritty women, capturing their wry humor, intellect, and passion. When she is not narrating, she can be found dancing, playing and watching tennis, or in the glass studio. Eve Passeltiner is an audiobook narrator who trained in New York and Italy as an actress and has performed on stage in New York, New England, and the Southwest. The voice for multiple women in The Washington Post's Webby Award Nominee The Women of Kabul, she has a passion for narrating stories of gritty women, capturing their wry humor, intellect, and passion. When she is not narrating, she can be found dancing, playing and watching tennis, or in the glass studio. Sam Taylor is a novelist and journalist who has lived in France for over a decade. His novel The Amnesiac was published in 2008, and his translation of Laurence Binet's novel HHhH was a finalist for the National Book Critics Circle Award.
