About the Book
In a time when our loves feel conscripted and exhausted by what we often do not remember desiring, Another Love: A Politics of the Unrequited explores the form, method, imperatives, and inflections of love in the global post colony, and offers a way to re-apprehend and re-inscribe love in an anticolonial, materialist, and nonfascist politics and aesthetics. The figure of “the unrequited” is invoked as a symptom of a brutally loveless yet effusively sentimentalized era, and also as an ineluctable yet very concrete political location in the face of both the intensifying external realities of war, occupation, apartheid, austerity, and terror, as well as the increasingly normalized internalizations of ordinary imperialism, nationalism, neoliberalism, fascism, and colonialism—all of which seem bent on extinguishing the possibility of relation itself. The book asks that we look at practices of love and other material labors that yield and sustain these realities within complex lifeworlds; indeed, those which sustain entire systems of our subjection, extraction, and disposability—such as colonialism, capitalism, liberalism, and fascism—as lifeworlds, especially when given, dominant, forms of recognition, affection, embrace, and belonging are unacceptable or even repulsive.
Distancing itself from shortcuts afforded by love’s abstract forms deployed in ethical and moral discourses that at once elevate it yet wholly reduce it to a timeless, apolitical, essence, Another Love sees love as a material and political relation to time and space, signaling willed and unwilled shifts in historical reality in societies juggling various wars and annihilations. It maintains that love is something in and with which we confess our complicities not only with but also against hegemonic notions of belonging, devotion, martyrdom, hospitality, publicity, collectivity, and solidarity nurtured and harvested under capital and colony. The longing and the love—missed by the pernicious and reactionary politics both of liberal democracy and the incidental fascisms that it claims to set out to fix—can give us clues into past, present, and future, moments of rebellion, resistance, rejection, and redemption that are crucial to a liberatory, anticolonial, and antifascist politic, and to rethinking attachment, desire, and relation itself.
Table of Contents:
Chapter 1 Spare(d) Fulfilments, Please: Love, Study, History
Chapter 2 Undulating Love: Enfolding the Margins
Chapter 3 Colonial Loves and Heimlich Manoeuvres
Chapter 4 Anticolonial Maps for Lost Lovers
Interlude From Cosmopolitan Modernity to Necropolitical Austerity: Episodes in the Life of Capital and Colony
Chapter 5 The Sanguine Subjects of Love and Terror
Chapter 6 Love Stories as Dissensus: Aesthetics Out of the Postcolony
Chapter 7 Materialists in Love
Chapter 8 Invitations, Deferrals, and Refusals: The Many Hospitalities of Anticolonial Love
About the Author :
Asma Abbas is associate professor of politics and philosophy at Bard College at Simon's Rock.
Review :
“This book is overflowing with tears and besos, a cascade of longing and desire. Asma Abbas is a dil phaink: she throws her heart into the world and it opens the way for her mind and ours. This is a work of generous courage and greatness of soul.”
“This erudite, beautifully written book brings together how ‘love’ and ‘terror’ constitute an ironic
coupling through which political nihilism faces the inexplicable power of hearts thrown into the world of commitment and deed. There is no love—as, too, there is no politics—without risk. Asma Abbas has thus offered us a steady stream of wisdom in this work whose gifts transcend the last page turned.”
“Abbas has produced a masterpiece of ‘another love’! A timely love letter to the seeker to look inward and sideways for ‘another love.’ The text embodies the anticolonial politics of the unrequited. It’s an unapologetically bold plea directly to you, to all of us, to own up to the empire’s terror that tethers itself to a certain love that is necropolitical. Abbas’s writing carries a deep and more intimate connection with the reader showing that unrequited politics is never interrupted by distance nor by time. . . . A deeply serious, urgent book, which should take its place in anticolonial/decolonial aesthetics!”
