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Home > Art, Film & Photography > Notes by Mr. Ruskin (Volume 3); Part I. on His Drawings by the Late J. M. W. Turner, R.A. Part II. on His Own Handiwork Illustrative of Turner. the Above Being Exhibited at the Fine Art Society's Galleries
Notes by Mr. Ruskin (Volume 3); Part I. on His Drawings by the Late J. M. W. Turner, R.A. Part II. on His Own Handiwork Illustrative of Turner. the Above Being Exhibited at the Fine Art Society's Galleries

Notes by Mr. Ruskin (Volume 3); Part I. on His Drawings by the Late J. M. W. Turner, R.A. Part II. on His Own Handiwork Illustrative of Turner. the Above Being Exhibited at the Fine Art Society's Galleries


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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1878. Excerpt: ... NOTES ON MY OWN DRAWINGS AND ENGRAVINGS. I Drawing by my father, made in the Edinburgh drawing class under Nasmyth the elder, and showing the way in which young people were in those days taught: the first tints being laid in grey; then the warm colour laid on the lights, and no "effects" of light, or of local colours ever thought of. The great Hakewill drawings by Turner are nothing more than the perfect development of this method. For the influence of this drawing on my own infant mind, by help of my father's patience at his dressing time, see "Fors Clavigera," June, 1875, page 161. 2. R. Descent From The Splugen On The Italian SIDE. Old Swiss print, coloured by hand.1 Showing the adaptation of this cool shadow and warm light system to popular engraving. A most lovely piece of quiet work, full of honourable and right feeling. All the prints for sale in the shops of the Swiss towns, at the time of Turner's early travels, were ONWAY CASTLE. 1 I believe so, but cannot be certain the Swiss had not already fallen on some mechanical help, --encouraged with conscientiousness and skill F done in this manner: and he, in his studies on the spot, would definitely set himself to beat one of these old prints by supplying the fire, or force, that it wanted. The post-chaise, or diligence, as the means of communication between Northern and Southern Europe over this great wall of eternal ordinance, was profoundly interesting to him: --(the Apotheosis of the, Dover mail!) We will look at one or two more of the Swiss prints, --his "old masters,"--and then see what he made of the Dover mail at last. 3. R. The "Lost Dungeon: " on the Pass of the Splugen. The French translation "Trou-Perdu," entirely loses the grand meaning of the German "Verlohren Loch," a place in which one is ...


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Product Details
  • ISBN-13: 9781458855855
  • Publisher: General Books
  • Publisher Imprint: General Books
  • Height: 246 mm
  • No of Pages: 40
  • Spine Width: 2 mm
  • Width: 189 mm
  • ISBN-10: 1458855856
  • Publisher Date: 01 Feb 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 91 gr


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Notes by Mr. Ruskin (Volume 3); Part I. on His Drawings by the Late J. M. W. Turner, R.A. Part II. on His Own Handiwork Illustrative of Turner. the Above Being Exhibited at the Fine Art Society's Galleries
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Notes by Mr. Ruskin (Volume 3); Part I. on His Drawings by the Late J. M. W. Turner, R.A. Part II. on His Own Handiwork Illustrative of Turner. the Above Being Exhibited at the Fine Art Society's Galleries
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Notes by Mr. Ruskin (Volume 3); Part I. on His Drawings by the Late J. M. W. Turner, R.A. Part II. on His Own Handiwork Illustrative of Turner. the Above Being Exhibited at the Fine Art Society's Galleries

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