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History of Painting (Volume 1 ); From the German of the Late Dr. Alfred Woltmann and Dr. Karl Woermann

History of Painting (Volume 1 ); From the German of the Late Dr. Alfred Woltmann and Dr. Karl Woermann


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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated.1888 Excerpt: ... unwind the grave-clothes from about it, turn with believing looks to the Saviour (Fig. 122). On the other hand, we do not find in Giotto that emotional tenderness and delicacy which is the mark of the northern Gothic style, and appears also in the work of both Cimabue and Duccio, --that sweet and innocent melancholy, that sadness which transfigures the countenance from within. It is only when they are quite at rest that the youthful faces of Giotto have a certain severe charm. But emotion with him breaks constantly and violently through, and then, as in the Crucifixion, or the Bewailing of Christ, the faces are distorted, and the eyes knotted together with grief; the affection comes to the surface in a form vehement to the pitch of passionate outcry, and uncompromising to the pitch of ugliness, --of impossible contortion, as in the S. John over the dead Christ, --or of wild tumult, as in the angels flapping their wings and shrieking above. In his personifications of the Virtues and Vices below, Giotto again succeeds in designing them not merely so as to be outwardly recognisable, but with true psychological grasp. The fantastic spirit of the age, on the other hand, comes out in full force in the Last Judgment, where Hell is depicted with innumerable little naked figures undergoing ingeniously contrived tortures, and its king, reminding us of the description in the thirty-fourth Canto of the Inferno, sits, an enormous naked, bloated monster and clutches his luckless victims with hand and jaw. In all the other compositions, and especially in those that are purely dramatic, the number of figures is moderate. Giotto generally introduces only such personages as are strictly necessary to the scene. He admits no supernumeraries; but then all that are present take a l


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Product Details
  • ISBN-13: 9781235807169
  • Publisher: General Books
  • Publisher Imprint: General Books
  • Height: 246 mm
  • No of Pages: 200
  • Spine Width: 11 mm
  • Width: 189 mm
  • ISBN-10: 1235807169
  • Publisher Date: 01 Feb 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 367 gr

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History of Painting (Volume 1 ); From the German of the Late Dr. Alfred Woltmann and Dr. Karl Woermann
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