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History of Ancient, Early Christian, and Mediaeval Painting Volume 1

History of Ancient, Early Christian, and Mediaeval Painting Volume 1


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Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: field; so that, if these great decorations are in part the servants of architecture, they are at least as much the servants of history, ?if we consider this, we shall understand why another distinguished writer, Semper, speaks of the storied walls of the Egyptian palaces as so many colossal writing-tablets, and calls their painted decorations so much colour-rhetoric, as distinguished from colonr- txusic, that is, from painting which is purely architectural Enough has been said to show that in reference to the monuments of Egypt there can be no question of the complete effects or mature processes of painting, regarded as an art having either the purpose or the means adequately to translate upon a flat surface the facts of nature and of space. Let us pass now from the consideration of the general system of composition which we find in these works, first to their treatment of individual forms, and next to their treatment of colour. We have already spoken in general terms of the typical conception of the human form which prevails in Egyptian art. In the history of Egyptian painting we fail to encounter that comparatively realistic treatment which we have mentioned as characteristic of the earliest Egyptian sculpture. Both in paintings on the flat and in the works of the kindred art of sunk relief, we have to do from first to last with an established canon of human proportions, though it is true that the earliest sunk reliefs until the sixth dynasty show signs of more freedom and naturalism than those of later times. Even then, nevertheless, this art already exhibits some of the regular characteristics of Egyptian painting, and among others, that of a confusion between the side and the front views of the human figure. This confusion arises partly from want of feeling for perspe...


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Product Details
  • ISBN-13: 9780217004374
  • Publisher: General Books
  • Publisher Imprint: General Books
  • Height: 246 mm
  • No of Pages: 200
  • Spine Width: 11 mm
  • Width: 189 mm
  • ISBN-10: 0217004377
  • Publisher Date: 01 Feb 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 367 gr


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