Buy History of Modern Art volume II Plus MySearchLab with eText -- Access Card Package
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Home > Art, Film & Photography > Art treatments & subjects > History of art > History of Modern Art volume II Plus MySearchLab with eText -- Access Card Package
History of Modern Art volume II Plus MySearchLab with eText -- Access Card Package

History of Modern Art volume II Plus MySearchLab with eText -- Access Card Package


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About the Book

ALERT: Before you purchase, check with your instructor or review your course syllabus to ensure that you select the correct ISBN. Several versions of Pearson's MyLab & Mastering products exist for each title, including customized versions for individual schools, and registrations are not transferable. In addition, you may need a CourseID, provided by your instructor, to register for and use Pearson's MyLab & Mastering products.   Packages Access codes for Pearson's MyLab & Mastering products may not be included when purchasing or renting from companies other than Pearson; check with the seller before completing your purchase.   Used or rental books If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code.   Access codes Access codes that are purchased from sellers other than Pearson carry a higher risk of being either the wrong ISBN or a previously redeemed code. Check with the seller prior to purchase.   --A Comprehensive Overview – available in digital and print formats   History of Modern Art is a visual comprehensive overview of the modern art field. It traces the trends and influences in painting, sculpture, photography and architecture from the mid-nineteenth century to the present day. The seventh edition deepens its discussions on social conditions that have affected the production and reception of modern and contemporary art.    Learning Goals Upon completing this book, readers will be able to: Understand the origins of modern art Provide an analysis of artworks based on formal and contextual elements Recognize the influences of social conditions on modern art   NOTE: MySearchLab does nto come automatically packaged with this text.   If you want the History Of Modern Art Volume II Plus MySearchLab with eText  0205955487 / 9780205955480 History of Modern Art volume II Plus MySearchLab with eText -- Access Card Package Package consists of: 0205239927 / 9780205239924 MySearchLab with Pearson eText -- Valuepack Access Card 0205259499 / 9780205259496 History of Modern Art Volume II     If you want the Complete History Of Modern Art Plus MySearchLab with eText order the ISBN below;  0205955517 / 9780205955510 History of Modern Art Plus MySearchLab with eText -- Access Card Package Package consists of: 0205239927 / 9780205239924 MySearchLab with Pearson eText -- Valuepack Access Card 0205259472 / 9780205259472 History of Modern Art (Paperback)                

Table of Contents:
In this Section: 1) Brief Table of Contents 2) Full Table of Contents     BRIEF TABLE OF CONTENTS:     Chapter 16: Abstract Expressionism and the New American Sculpture Chapter 17:  Postwar European Art Chapter 18: Nouveau Réalisme and Fluxus Chapter 19: Taking Chances with Popular Culture Chapter 20: Playing by the Rules: Sixties Abstraction Chapter 21: Modernism in Architecture at Mid-Century Chapter 22: Conceptual and Activist Art Chapter 23: Post-Minimalism, Earth Art, and New Imagists Chapter 24: Postmodernism Chapter 25: Painting through History Chapter 26: New Perspectives on Art and Audience Chapter 27: Contemporary Art and Globalization    FULL TABLE OF CONTENTS:     Chapter 16: Abstract Expressionism and the New American Sculpture  Mondrian in New York: The Tempo of the Metropolis  Entering a New Arena: Modes of Abstract Expressionism  The Picture as Event: Experiments in Gestural Painting  Complex Simplicities: Color Field Painting  Drawing in Steel: Constructed Sculpture  Textures of the Surreal: Biomorphic Sculpture and Assemblage  Expressive Vision: Developments in American Photography   Chapter 17:  Postwar European Art  Re-evaluations and Violations: Figurative Art in France  A Different Art: Abstraction in France  Postwar Juxtapositions: Figuration and Abstraction in Italy and Spain  “Forget It and Start Again”: The CoBrA Artists and Hundertwasser  The Postwar Body: British Sculpture and Painting  Marvels of Daily Life: European Photographers    Chapter 18: Nouveau Réalisme and Fluxus  “Sensibility in Material Form”: Klein  Fluxus   Chapter 19: Taking Chances with Popular Culture  “This is Tomorrow”: Pop Art in Britain  Signs of the Times: Pop Art in the United States  Getting Closer to Life: Happenings and Environments  “Just Look at the Surface”: The Imagery of Everyday Life    Poetics of the “New Gomorrah”: West Coast Artists  Personal Documentaries: The Snapshot Aesthetic in American Photography   Chapter 20: Playing by the Rules: Sixties Abstraction  Drawing the Veil: Post Painterly Abstraction  At an Oblique Angle: Diebenkorn  Forming the Unit: Hard-Edge Painting  Seeing Things: Op Art  New Media Mobilized: Motion and Light  The Limits of Modernism: Minimalism  Complex Unities: Photography and Minimalism   Chapter 21: Modernism in Architecture at Mid-Century  “The Quiet Unbroken Wave”: The Later Work of Wright and Le Corbusier  Purity and Proportion: The International Style in America  Internationalism Contextualized: Developments in Europe, Latin America, Asia, and Australia  Breaking the Mold: Experimental Housing  Arenas for Innovation: Major Public Projects   Chapter 22: Conceptual and Activist Art  Art as Language  Conceptual Art as Cultural Critique  The Medium Is the Message: Early Video Art  When Art Becomes Artist: Body Art  Radical Alternatives: Feminist Art  Erasing the Boundaries between Art and Life: Later Feminist Art  Invisible to Visible: Art and Racial Politics   Chapter 23: Post-Minimalism, Earth Art, and New Imagists  Metaphors for Life: Process Art  Big Outdoors: Earthworks and Land Art  Public Statements: Monuments and Large-Scale Sculpture  Body of Evidence: Figurative Art  Animated Surfaces: Pattern and Decoration  Figure and Ambiguity: New Image Art   Chapter 24: Postmodernism  Postmodernism in Architecture  “Complexity and Contradiction”: The Reaction Against Modernism Sets In  In Praise of “Messy Vitality”: Postmodernist Eclecticism  Ironic Grandeur: Postmodern Architecture and History  What Is a Building?: Constructivist and Deconstructivist Architecture  Structure as Metaphor: Architectural Allegories  Flexible Spaces: Architecture and Urbanism  Postmodern Practices: Breaking Art History   Chapter 25: Painting through History  Primal Passions: Neo-Expressionism  Searing Statements: Painting as Social Conscience  In the Empire of Signs: Neo-Geo  The Sum of Many Parts: Abstraction in the 1980s  Taking Art to the Streets: Graffiti and Cartoon Artists  Painting Art History   Chapter 26: New Perspectives on Art and Audience  Commodity Art  Postmodern Arenas: Installation Art  Strangely Familiar: British and American Sculpture  Reprise and Reinterpretation: Art History as Art  New Perspectives on Childhood and Identity  The Art of Biography  Meeting Points: New Approaches to Abstraction   Chapter 27: Contemporary Art and Globalization  Lines That Define Us: Locating and Crossing Borders  Skin Deep: Identity and the Body  Occupying the Art World  Globalization and Arts Institutions

About the Author :
Elizabeth C. Mansfield  is Vice President for Scholarly Programs at the National Humanities Center in Research Triangle Park, North Carolina.  She  has taught art history at New York University and the University of the South in Sewanee, Tennessee . A scholar of modern European art and art historiography, her publications include books and articles on topics ranging from the origins of modernism to Picasso’s Demoiselles d’Avignon to the contemporary performance and body art of Orlan. Her 2007 book Too Beautiful to Picture: Zeus, Myth, and Mimesis was awarded the College Art Association’s Charles Rufus Morey book prize.     The late H.H. Arnason was a distinguished art historian, educator, and museum administrator who for many years was Vice President for Art Administration of the Solomon Guggenheim Museum in New York. He began his professional life in academia, teaching at Northwestern University, University of Chicago, and the University of Hawaii. From 1947 to 1961, Arnason was Professor and Chairman of the Department of Art at the University of Minnesota.

Review :
“This is a significant and usable text for all undergraduate students of art history, and a very good source book for graduate students. It is an excellent source book for students studying the late nineteenth to the twenty-first centuries.”  - ­Caterina Pierre, Kingsborough Community College CUNY   “It demonstrates a strong commitment to writing a history of modern art that is inclusive of women and artists of color. It is clearly written and works toward thorough consideration of a topic rather than superficial analysis. The best text for a course on Modern Art.”  - Cynthia Fowler, Emmanuel College   “Comprehensive, in-depth study of respective stylistic developments in history of modernism; high-quality photographic reproductions; fundamental investment in discussing objects through its own evidence; willingness of text and author(s) to adjust with the times.”  -  Mysoon Rizk, University of Toledo   “I am pleased with the inclusion of more women and artists of color and with the context, technique and source boxes. As well, I am pleased with the increased quality of reproductions.”  - Prudence Roberts, Portland Community College  


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Product Details
  • ISBN-13: 9780205955480
  • Publisher: Pearson Education (US)
  • Publisher Imprint: Pearson
  • Language: English
  • ISBN-10: 0205955487
  • Publisher Date: 28 Jan 2013
  • Binding: Paperback


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History of Modern Art volume II Plus MySearchLab with eText -- Access Card Package
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