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A major survey of the visual arts that lie outside the Western tradition.   In this major survey of the arts of Africa, Western and Central Asia, India, Southeast Asia, China, Korea, Japan, the Pacific, and the Americas, author Michael Kampen-O’Riley presents the vast range of arts that lie outside of the Western tradition.  Within a predominantly geographic and chronological framework, he explores the arts of these areas from pre-history to present day.  The first dedicated survey of “non-Western” art, Art Beyond the West is amply illustrated and accessibly written.      Learning Goals Upon completing this book, readers will be able to:   To recognize regional and period styles. To understand styles in terms of the basic ideals around which they were created See the connection between idea and form.  

Table of Contents:
In this Section: 1) Brief Table of Contents 2) Full Table of Contents     BRIEF TABLE OF CONTENTS:   Chapter 1. Introduction: Art Beyond the West Chapter 2. The Islamic World Chapter 3. India and Southeast Asia Chapter 4. China Chapter 5. Japan and Korea Chapter 6. The Pacific Chapter 7. Africa Chapter 8. The Americas Chapter 9. Art Without Boundaries       FULL TABLE OF CONTENTS:     Chapter 1. Introduction: Art Beyond the West   Non-Western Art and Aesthetics   Coatlicue in Context   Chapter 2. The Islamic World   Byzantium and The Umayyad Caliphate (661—750 CE)   The Umayyads and Their Successors in Spain (711—1492)   The Abbasid Caliphate (750—1258)   Iran and Central Asia   Anatolia and The Ottoman Turks (1453—1574)     Chapter 3. India and Southeast Asia   The Indus Valley   Buddhist Art   Hindu Art   Jain Art and Architecture   Islamic India   Colonial India   Chapter 4. China   The Neolithic Period (C. 7000-2250 BCE)   The Xia Dynasty (C. 2205-1700 BCE) and the Shang Dynasty (C. 1700-1045-480 BCE)   The Han Dynasty   The Period of Disunity: Six Dynasties (220-589 CE)   The Sui Dynasty (589-618 CE) and the Tang Dynasty   The Five Dynasties (907-60) and the Northern Song (960-1127) and Southern Song Dynasties (1127-1279)   The Yuan Dynasty (1279-1368)   The Ming Dynasty (1368-1644)   The Qing Dynasty (1644-1911)   Modern China (From 1911)   Chapter 5. Japan and Korea   The Jomon Period (C. 12,000/ 10,500—300 BCE) And Yayoi Period (300 BCE—300 CE)   The Kofun Period   Korea: The Three Kingdoms Period (57 BCE —688 CE)   The Asuka Period (552—645 CE) and Hakuho Period (645—710 CE)   The Nara Period (710—94 CE)   The Heian Period (794—1185)   The Kamakura Period (1185—1333) and Koryo Korea (918—1392)   The Muromachi (Ashikaga) Period (1392—1573)   The Momoyama Period (1573—1615)   The Tokugawa (Edo) Period (1615—1868)   The Meiji Restoration (1868—1912)   The Modern Period (From 1912)   Chapter 6. The Pacific   Australia   Melanesia   Micronesia   Polynesia   The Pacific Arts Festival   Chapter 7. Africa   The History of African Art History   African Prehistory   Southern Africa   East Africa   Central Africa   West Africa Postcolonial Africa and the Quest for Contemporary Identities   African-American Art   Chapter 8. The Americas   South America: The Central Andes   Mesoamerica   Time Chart: Mesoamerica   North America   Native American Art in the Twentieth and Twenty-First Centuries      Chapter 9. Art Without Boundaries   Painting and Sculpture   Architecture   Multimedia Expressions

About the Author :
Dr. Michael Kampen O’Riley (PhD, History of Art, University of Pennsylvania, 1969) is a Professor Emeritus, University of North Carolina. While working as a columnist for the Charlotte Observer, he shared in a Pulitzer Prize Journalism and Public Service given to the Observer in 1981 for the Observer’s columns devoted to the daily lives of their readers.  He has taught at the Philadelphia University of Art; the University of Florida; Yale University; Arizona State University; the University of North Carolina Charlotte; California Polytechnic Institute Pomona; and the University of Stockholm, Sweden. He has authored seven books, published over 300 articles in news papers and magazines, and given over 10,000 lectures and guided tours through museums and historical sites in the United States, Latin America, and Europe. He is presently living in Asheville, North Carolina and writing text books, self-help books, and novels about Native America and the visual arts. About his work, the author says, “My work puts special emphasis on the contextual character of the visual arts. The arts have always existed in many active give-and-take or autocatalytic relationships with the world around them. The arts absorb ideas from religion, philosophy, politics, society at large, and every other area of thought; forge their own forms of visual expression, and, in turn, they influence the world around them in ways that only the visual arts can do.”

Review :
“An undergraduate text that presents a systematic survey of world cultures in a manner easily grasped by students.”  - Marilyn Wyman, San Jose State University   “It is a solid text that is appropriate for a wide survey of Non-Western art.  Importantly, it is also an affordable option.”  - Kimberly Cleveland, Georgia State University   “It is well written and accessible to students at the introductory level who come from a variety of academic and cultural backgrounds.”  - Lillian Joyce, University of Alabama-Huntsville   “In content, organization, tone, and approach, Kampen-O’Reiley’s Art Beyond the West remains the best of the existing publications on the subject: Survey of Non-Western Art-History.”  - Olawole Famule, University of Wisconsin-Superior