The Portable Charles W. Chesnutt

A collection from one of our most influential African American writers An icon of nineteenth-century American fiction, Charles W. Chesnutt, an incisive storyteller of the aftermath of slavery in the South, is widely credited with almost single-handedly inaugurating the African American short story tradition and was the first African American novelist to achieve national critical acclaim. This major addition to Penguin Classics features an ideal sampling of his work- twelve short stories (including conjure tales and protest fiction), three essays, and the novel The Marrow of Tradition. Published here for the 150th anniversary of Chesnutt's birth, The Portable Charles W. Chesnutt will bring to a new audience the genius of a man whose legacy underlies key trends in modern Black fiction. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust theseries to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-datetranslations by award-winning translators.

Table of Contents:
The Portable Charles W. ChesnuttGeneral Introduction Henry Louis Gates, Jr. Introduction William L. Andrews Suggestions for Further Reading A Note on the Texts The Portable Charles W. Chesnutt I. Short Stories The Goophered Grapevine Po' Sandy Mars Jeems's Nightmare Sis' Becky's Pickaninny The Wife of His Youth The Sheriff's Children A Matter of Principle The Passing of Grandison Uncle Wellington's Wives The Web of Circumstance Dave's Neckliss Baxter's Procrustes II. Novel The Marrow of Tradition III. Essays What Is a White Man? The Disfranchisement of the Negro Post-Bellum—Pre-Harlem

About the Author :
William L. Andrews is E. Maynard Adams Distinguished Professor of English Emeritus at the University of North Carolina at Chapel Hill. He is the author of The Literary Career of Charles W. Chesnutt (1980), To Tell a Free Story- The First Century of Afro-American Autobiography, 1760-1865 (1986), and Slavery and Class in the American South- A Generation of Slave Narrative Testimony, 1840-1865 (2019). A co-editor of the Norton Anthology of African American Literature and The Oxford Companion to African American Literature, he has edited Chesnutt's Conjure Tales and Stories of the Color Line for Penguin Classics. In 2018 he received the Jay B. Hubbell Medal from the Modern Language Association for lifetime achievement in the study of American Literature. Henry Louis Gates, Jr. was Professor of English, Comparative Literature, and Africana Studies at Cornell University, and also tenured at Yale, Duke, and Harvard, where he was appointed W.E.B. DuBois professor of humanities in 1991. Professor Gates is the author of Figures in Black- Words, Signs, and the Racial Self, Wonders of the African World, The Signifying Monkey- A Theory of African-American Literary Criticism, Thirteen Ways of Looking at a Black Man, Loose Cannons- Notes on the Culture Wars, and Colored People- A Memoir. With Cornel West, he co-wrote The African American Century- How Black Americans Have Shaped Our Country and The Future of the Race. He is also the editor of the critically-acclaimed edition of Our Nig, an annotated reprint of Harriet E. Wilson's 1859 novel, The Slave's Narrative (with the late Charles T. Davis), Africana- The Encyclopedia of the African and African-American Experience, Six Women's Slave Narratives, and In the House of Oshugbo- Critical Essays on Wole Soyinka. He is a recipient of the MacArthur Prize.