Lutz KoepnickLutz Koepnick is the Max Kade Foundation Chair in German Studies and Professor of Cinema and Media Arts at Vanderbilt University (Nashville, USA). Koepnick has published widely on film, media art, new media aesthetic, sound art, and intellectul history from the nineteenth to the twenty-first century. He is the author of The Long Take: Art Cinema and the Wondrous (2017), Michael Bay: World Cinema in the Age of Populism (2017), On Slowness: Toward an Aesthetic of the Contemporary (2014); Framing Attention: Windows on Modern German Culture (2007); and The Dark Mirror: German Cinema between Hitler and Hollywood(2002). Koepnick is the co-author of Windows | Interface (2007), and co-editor of various anthologies on sound culture, new media aesthetics, aesthetic theory, German cinema, and questions of exile. Read More Read Less