Perform, Repeat, Record
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Perform, Repeat, Record: Live Art in History

Perform, Repeat, Record: Live Art in History

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About the Book

Bringing together contributors from dance, theatre, visual studies and art history, Perform, Repeat, Record addresses the conundrum of how live art is positioned within history. Set apart from other art forms in that it may never be performed in precisely the same way twice, ephemeral artwork exists both at the time of its staging and long after in the memories of its spectators and their testimonies, as well as in material objects, visual media and text. These multiple occurrences and iterations offer new critical possibilities for thinking and writing the histories of performance. Among the artists, theorists and historians who contributed to this volume are Marina Abramovic, Guillermo Gómez-Peña, Rebecca Schneider, Boris Groys, Jane Blocker, Carolee Schneemann, Tehching Hsieh, Orlan, Tilda Swinton and Jean-Luc Nancy.

Table of Contents:
INTRODUCTIONS   The Now and the Has Been: Paradoxes of Live Art in History – Amelia Jones   Then Again – Adrian Heathfield   THEORIES AND HISTORIES   Introduction  Amelia Jones   Chapter 1: The Performativity of Performance Documentation – Philip Auslander   Chapter 2: Dead Mannequin Walking: Fluxus and the Politics of Reception – Hannah B Higgins   Chapter 3: The Viral Ontology of Performance – Christopher Bedford   Chapter 4: Can Photographs Make It So? Repeated Outbreaks of VALIE EXPORT’s Genital Panic Since 1969 – Mechtild Widrich   Chapter 5: Macular Degeneration: Some Peculiar Aspects of Performance Art Documentation – Mónica Mayer   Chapter 6: History and Precariousness: In Search of a Performative Historiography – Eleonora Fabião   Chapter 7: Performance Remains – Rebecca Schneider   Chapter 8: Not as Before, but Simply: Again – André Lepecki   Chapter 9: The Prosthetic Present Tense: Documenting Chinese Time-based Art – Meiling Cheng   Chapter 10: Progressive Striptease – Sven Lutticken   Chapter 11: Repetition: A Skin which Unravels – Jane Blocker   Chapter 12: Art in the Age of Biopolitics: From Artwork to Art Documentation 209 – Boris Groys   Chapter 13: The Interstices of History – Angela Harutyunyan et al.   An Unofficial Timeline of Socialist and Post-Socialist Performance – Angela Harutyunyan et al.   DOCUMENTS   Introduction  Adrian Heathfield   Chapter 14: A Text on 20 years with 66 footnotes – Tim Etchells   Chapter 15: Faith Wilding, Waiting and Wait-With    Chapter 16: Lynn Hershman and/as Roberta Breitmore    Chapter 17: We Are Formatted Memories – Orlan   Chapter 18: Franko B and Kamal Ackarie, Don’t Leave Me This Way   Chapter 19: Make Me Stop Smoking – Rabih Mroué   Chapter 20: The Personal Evolution of the Performance Object (Or, What to Do with Leftovers) – Nao Bustamante   Chapter 20: The Personal Evolution of the Performance Object (Or, What to Do with Leftovers) – Nao Bustamante   Chapter 21: Cai Yuan and J.J. Xi, Mad For Real    Chapter 22: Hayley Newman, MiniFlux    Chapter 23: Daniel Joseph Martinez, Call Me Ishmael or The Fully Enlightened Earth Radiates Disaster Triumphant    Chapter 24: Multiple Journeys: A Performance Chronology – Guillermo Gómez-Peña   Chapter 25: Attending to Anthony McCall’s Long Film For Ambient Light – Lucas Ihlein   Chapter 26: ReCut Project – Ming-Yuen S. Ma   Chapter 27: Assuming a Migrant Woman’s Identity – Tanja Ostojic   Chapter 28: Barbara Smith, Intimations of Immortality    Chapter 29: Santiago Sierra and the “Contexts” of History    Chapter 30: Reconstruction2 – Janez Janša   Chapter 31: Documents of Chinese Time-based Art: Three Impressions from Three Fragments – Meiling Cheng   Chapter 32: Both Sitting Duet and Cheap Lecture – Jonathan Burrows and Matteo Fargion   Chapter 33: Aftermath: The Performance / Installation Nexus – Blair French   Timeline of Ideas: Live Art in (Art) History, A Primarily European-US-based Trajectory of Debates and Exhibitions Relating to Performance Documentation and Re-enactments – Amelia Jones   DIALOGUES   Introduction Adrian Heathfield   Chapter 34: Interior Squirrel and the Vicissitudes of History – Carolee Schneemann and Amelia Jones   Chapter 35: I Just Go in Life – Tehching Hsieh and Adrian Heathfield   Chapter 36: The Maybe: Modes of Performance and the “Live” – Tilda Swinton and Joanna Scanlan   Chapter 37: Photography as a Performative Act – Shezad Dawood and Amelia Jones   Chapter 38: Do it Again, Do it Again (Turn Around, Go Back) – Iain Forsyth and Jane Pollard, with Andrew Renton   Chapter 39: Touching Remains – Janine Antoni and Adrian Heathfield   Chapter 40: Perverse Martyrologies – Ron Athey and Dominic Johnson   Chapter 41: The Live Artist as Archaeologist – Marina Abramovic and Amelia Jones   Chapter 42: Every House Has a Door – Lin Hixson and Matthew Goulish   Chapter 43: Alliterations – Mathilde Monnier and Jean-Luc Nancy Introduction and Translation: Noémie Solomon   Chapter 44: Intangibles – Hugo Glendinning, Adrian Heathfield, and Tim Etchells  


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Product Details
  • ISBN-13: 9781841504896
  • Publisher: Intellect
  • Binding: Paperback
  • Language: English
  • Returnable: Y
  • Returnable: Y
  • Width: 178 mm
  • ISBN-10: 1841504890
  • Publisher Date: 15 Mar 2012
  • Height: 229 mm
  • No of Pages: 652
  • Returnable: Y
  • Sub Title: Live Art in History


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