Patsy Cline In Her Own Words

Patsy Cline's story - both professional and personal - unfolds in this collection of letters written from 1955-1959 to her friend and first fan club president, Treva Miller. In her own words, Patsy talks of the recording sessions, television appearances and tours, but behind the glamor she writes candidly about having flat tires, not getting paid (even after her big hit "Walkin' After Midnight") and what it's like to be a mother and housewife while building a career as a recording artist. Few stars have the longevity of Patsy Cline. She died in a plane crash in 1963, yet her voice still moves us, so much so that she consistently appears on the best country artist lists from publications such as Rolling Stone and Billboard. A collection of 48 letters written from 1955-1959 to her first fan club president and friend gives us a rare opportunity to glimpse the woman behind the songs. She doesn't come across as bold and brassy, as some movies have portrayed her. Although she was traditional in her attitudes about family, she was determined to succeed as a recording artist. Against the backdrop of her recording sessions, tours and television appearances she was also a housewife who often did the family cooking, laundry and ironing before going on stage. It didn't always pay as expected, either. In 1957 she wrote to Treva: "Bill McCall still hasn't give me my money on "Walkin." I've got 2 lawyers working on it." One can imagine, through these letters, that Patsy is sitting across the table from her friend, chatting about her job, her loves and everyday life. We get to know Treva through these letters too. When Treva plans to marry against her mother's objections, Patsy said, "You are all she has and you are her baby, but then too, all these chickens have to find out about life their own way." In September 1960 Treva was killed in an automobile accident. Less than a year after that, Patsy was a passenger in a near fatal, head-on car crash. Two months later, still on crutches, Patsy recorded one of her defining hits, "Crazy." Her career was finally taking off. The introduction is written by Margo Price, a Nashville-based singer-songwriter, who became an overnight success with her album, Midwest Farmer's Daughter. When not appearing solo with her band, she joins Chris Stapleton, Tim McGraw, and Willie Nelson on their tours.

About the Author :
With Mike Freeman, Cindy Hazen authored the books Memphis Elvis-Style and The Best of Elvis. She is a freelance writer for numerous publications - sometimes about music--but most often in the food industry. With Mike Freeman, Cindy Hazen authored the books Memphis Elvis-Style and The Best of Elvis. She is a freelance writer for numerous publications - sometimes about music--but most often in the food industry.

Review :
"The bond between country music artists and their fans is unique ... Patsy Cline: In Her Own Words shines a light on this relationship in a way that few books can capture. Starting as a fan writing a letter expressing an interest in Cline as an admirer, Treva Miller and Patsy Cline's relationship evolved into Miller becoming Cline's fan club manager. But their friendship was more than that. Based on Patsy's letters to Treva, they became close friends and Patsy confided in Treva many personal matters, as well as hopes for her career. If you want to get to know Patsy as a person, and not just the star, there's no better read than her letters to her friend, Treva Miller."-Alan Stoker, Curator of Recorded Sound Collections, Country Music Hall of Fame and Museum/Country Music Foundation. "Here's Patsy Cline - before she became a legend, really before she even became a star. Millions know Patsy as one of country music's greatest voices: What a joy to hear an entirely different facet of that voice, one full of youthful ambition, hopes, and dreams." - Brian Mansfield, country music historian and author of Remembering Patsy. "Patsy Cline, writing to Treva Miller-her very first fan club president-shares her youthful hopes and dreams. The growing friendship and connection between these two young women deepens over the few years they worked together to bring Patsy's music to a large audience. Reading Patsy's own vivid words we can imagine her long hours on the road driving between gigs, her toiling in the studio, and the demands of television and radio. We see the breakup of one marriage ("He told me if I was gonna sing, I wasn't going to live with him. So I'm back home.") We see Patsy falling in love again. With the reproductions of the handwritten originals, her emotions are all the more vivid. We also see 1950's social media at work, the money, time and effort needed for Treva to connect and expand the fan base. That tragedy should strike down both Treva and Patsy makes the letters all the more poignant. The editors have done an excellent job offering essential contexts. Patsy Cline in Her Own Words is an important first-person contribution to mid-century American culture, and the inner life of an icon."-Laura Kalpakian, author of Memory into Memoir.