The Poetry of Class: Romantic Anti-Capitalism and the Invention of the Proletariat(Historical Materialism)

In the early 19th century, a new social collective emerged out of impoverished artisans, urban rabble, wandering rural lower classes, bankrupt aristocrats and precarious intellectuals, one that would soon be called the proletariat. But this did not yet exist as a unified, homogeneous class with affiliated political parties. The motley appearance, the dreams and longings of these figures, torn from all economic certainties, found new forms of narration in romantic novellas, reportages, social-statistical studies, and monthly bulletins. But soon enough, these disorderly, violent, nostalgic, errant, and utopian figures were denigrated as reactionary and anarchic by the heads of the labour movement, since they did not fit into their grand linear vision of progress. In The Poetry of Class, Patrick Eiden-Offe tells the story of this nascent class, tracing the making of the proletariat in Vrmarz Germany (18151848) through the writings of figures like Ludwig Tieck, Moses Hess, Wilhelm Weitling, Georg Weerth, Friedrich Engels, Louise Otto-Peters, Ernst Willkomm, and Georg Bchner, and in so doing, revealing a striking similarity to the disorderly classes of today.

Table of Contents:
Translator’s Note Introduction  1 Class and Classification, Proletariat and Proletarianisation  2 The Proletariat: a Non-identical Subject  3 Romantic Anti-capitalism  4 Historiography of Rescue  5 Proletarian Identity: Openness and (Self-)Enclosure  6 Inverse Relevance of the Vormärz  7 Literary History as Social History: Class as Figure 1 Small Masters and Journeymen: from Guild to Movement  1 Romantic Anti-capitalism: Ludwig Tieck’s The Young Master Carpenter  2 Journeymen Culture and the Workers’ Movement: Wilhelm Weitling  3 Georg Weerth and the Break with Guild Traditions 2 ‘We? Tricky Question!’ on the Search for Class Identity in Proletarian Journals  1 Negations: ‘Bourgeois’ and ‘Intellectual Prolatarians’  2 Ascension: ‘We’ Want to Be Bürger  3 Activation: What ‘We’ Should Be  4 Affirmation: ‘We’ Who Raise Our Voices 3 Counting the People: Class Statistics  1 Statistics and Social Agitation: The Hessian Messenger  2 Statistics in the Service of Revolution: Gesellschaftsspiegel 4 Miserabilism and Critique: from the Poverty of Literature to the Poverty of Theory  1 Ludwig Tieck and the Wolves of London  2 German Misery, German Verse: Engels as Narrative Theorist  3 Striking Stereotypes: Ernst Dronke’s ‘Rich and Poor’  4 The Family Romance of the Proletarian  5 Relentlessness  6 Mystères – Misère  7 Misery in Relations: Production, World Market, Needs  8 Poverty and Quality of Life: Disposable Time 5 Wage Labour and Slavery: Unfulfilled Promises of Freedom  1 Allegories of Class: ‘Steam King’ and ‘White Slaves’  2 Point of Comparison: Weitling’s ‘Politics of Slavery’  3 The ‘Semblance of Liberty’ and Real Slavery: Engels  4 Class Slavery  5 Why ‘White Slaves’?  6 Theory as Mystification: the Cult of the Industrial Worker and Global Critique  7 The Universality of Proletarianisation 6 Representing the ‘Labouring Poor’  1 The Possibilities of Literature: Ernst Willkomm’s White Slaves or the Sufferings of the People  2 Engels and the Invention of Social Reportage  3 The Reporter in the Field: ‘The Great Towns’ 7 Class in Struggle  1 Witches’ Sabbath as Early Modern Class Struggle: Tieck  2 The Witches’ Sabbath of the Class Struggles in France: Börne  3 Social War on Lake Zurich: Weitling  4 Primitive Rebels in Lower Lusatia: Willkomm  5 Rescuing the Rebels  6 Revenge and Class  7 The Machine Breakers  8 Is It O.K. to Be a Luddite?  9 Towards a Pure Strike: Georg Weerth’s Fragment of a Novel  10 The Struggle for the Family Wage, the Feminisation of Factory Work and the Masculinisation of the Workers’ Movement Conclusion: the Return of Romantic Anti-capitalism Epilogue: Romantic ‘Anti-capitalism’ from Above Bibliography Index

About the Author :
Patrick Eiden-Offe is a permanent research associate at the Leibniz-Zentrum fr Literatur-und Kulturforschung in Berlin. He has published three books in German, Das Reich der Demokratie. Hermann Brochs "Der Tod des Vergil", Die Poesie der Klasse and Hegels Logik Lesen, and is currently writing an intellectual biography of Georg Lukcs.