Always Crashing in the Same Car

Blending memoir and cultural criticism, Matthew Specktor explores family legacy, the lives of artists, and a city that embodies both dreams and disillusionment. In 2006, Matthew Specktor moved into a crumbling Los Angeles apartment opposite the one in which F. Scott Fitzgerald spent the last moments of his life. Fitz had been Specktor's first literary idol, someone whose own passage through Hollywood had, allegedly, broken him. Freshly divorced, professionally flailing, and reeling from his mother's cancer diagnosis, Specktor was feeling unmoored. But rather than giving in or "cracking up," he embarked on an obsessive journey to make sense of the mythologies of "success" and "failure" that haunt the artist's life and the American imagination. Part memoir, part cultural history, part portrait of place, Always Crashing in the Same Car explores Hollywood through a certain kind of collapse. It's a vibrant and intimate inspection of failure told through the lives of iconic, if under-sung, artists--Carole Eastman, Eleanor Perry, Warren Zevon, Tuesday Weld, and Hal Ashby, among others--and the author's own family history. Through this constellation of Hollywood figures, he unearths a fascinating alternate history of the city that raised him and explores the ways in which curtailed ambition, insufficiency, and loss shape all our lives.

About the Author :
Matthew Specktor is the author of the novels American Dream Machine and That Summertime Sound; a nonfiction book, The Sting; and the forthcoming memoir The Golden Hour. His writing has appeared in the New York Times, the Paris Review, the Believer, Tin House, Vogue, GQ, Black Clock, and Open City. He has been a MacDowell fellow, and is a founding editor of the Los Angeles Review of Books. He resides in Los Angeles. Matthew Specktor is the author of the novels American Dream Machine and That Summertime Sound; a nonfiction book, The Sting; and the forthcoming memoir The Golden Hour. His writing has appeared in the New York Times, the Paris Review, the Believer, Tin House, Vogue, GQ, Black Clock, and Open City. He has been a MacDowell fellow, and is a founding editor of the Los Angeles Review of Books. He resides in Los Angeles.