Stories Are What Save Us: A Survivors Guide to Writing about Trauma

Since 2013, David Chrisinger has taught military veterans, their families, and other trauma survivors how to make sense of and recount their stories of loss and transformation. The lessons he imparts can be used by anyone who has experienced trauma, particularly people with a deep need to share that experience in a way that leads to connection and understanding. Stories Are What Save Us shows--through striking memoir, writing exercises, and lessons learned from Chrisinger's students--the most effective ways to uncover and communicate what you've learned while fighting your life's battles. Weaving together his journey as a writer, editor, and teacher, he draws lessons from lighthearted stories of deciding--as a none-too-young guy with a football player's frame--to train for an ultramarathon, and he reveals his own deeply personal story of family trauma and abuse and explains how his life has informed his writing. Part craft guide, part memoir, and part teacher's handbook, Stories Are What Save Us presents readers with craft tools and storytelling structures that Chrisinger and his students have used to process conflict in their own lives and create beautiful stories of growth and transformation.

About the Author :
David Chrisinger directs the Harris Writing Program at the University of Chicago and The War Horse's writing seminars program, which offers workshops for military veterans and their families. He is the author of Public Policy Writing That Matters and the editor of See Me for Who I Am: Student Veterans' Stories of War and Coming Home. David Chrisinger directs the Harris Writing Program at the University of Chicago and The War Horse's writing seminars program, which offers workshops for military veterans and their families. He is the author of Public Policy Writing That Matters and the editor of See Me for Who I Am: Student Veterans' Stories of War and Coming Home. Jonathan Todd Ross is a writer, actor, and voiceover artist known for Fake Mustache, Swindle, The Strange Case of Origami Yoda, and Leap. Susan Bennett is University Professor in the Department of English at the University of Calgary, Canada. She is the author of Theatre Audiences: A Theory of Production and Reception (1997, 2nd edition), Performing Nostalgia (1996), and Theatre & Museums (2013). Among her edited volumes are Shakespeare Beyond English (co-edited with Christie Carson, 2013) and Performing Environments: Site-Specificity on the Early Modern Stage (co-edited with Mary Polito, 2014). She was editor of Theatre Journal from 1997-2001 and has also edited or co-edited special issues of other theatre and performance journals.