The Myriad Faces of Heroes and Heroines: Folkloric Tradition and Modern Contemporaries in Asia(28 Asia in Transition)

This collection scrutinizes the representation, dynamics, transformation and/or adaptation of various heroes and heroines in different folkloric traditions and narratives in the context of Asia. Exploring notions in the topics of mythologies, folktales, literature, theatre performance and any other art forms, the volume collates discussions on the pragmatic and aesthetic representation of men and women within the mythic world, and within contemporary settings. In doing so, it produces a contemporary theorization of Asian heroes and heroines beyond their mythic structure and folkloric limits. In considering the representation of heroes and heroines in the Asian folkloric tradition, and in comparative contexts, the book establishes connections between characters from myths and folktales and those found in contemporary narratives, considers the adaptation and transformation of heroes and heroines as revealed in a variety of literary works, and also assesses the gendering of social roles in modern literature and other art forms. It is of interest to scholars and advanced students in comparative literature, Asian cultural studies and theatre and performance. 

Table of Contents:
Part 1 Transformation of Mythical Heroines throughout History and Narrative Classics.- Chapter1 The Yue Maiden An Independent Heroine and Her History in China.- Chapter2 The Power of Tears and Self-Assertion The Changing Meaning of Suffering in Binu and the Great Wall (2006).- Chapter3 Forbidden Love unto Death and Metamorphosis Tragic Heroines from an Interplay between Celtic and Chinese Myths, and the Representation of Opera.- Chapter4 Heroic Princesses Across Cultural Horizons A Comparative Analysis of Tomoe Gozen, Mulan, and Bari Gongju Beyond Folklore.- Part II Heroes and Heroines in Chinese Rituals and Narrative Traditions.- Chapter5 Re-Assembling Fragments Across Time and Space Folk Narrative Translation in Lady Precious Stream.- Chapter6 Crossing a Millennium Cult Lord Guan Patrols the City.- Chapter7 A Reflection of China Cheng Dieyi’s Loss of Identity in Farewell to My Concubine (1993).- Part III Immortalizing Narratives across Boundaries of Multiple Dimensions.- Chapter8 Journeys of Peripheral Characters Foreign Sojourners and their British Frenemy in Joseph Conrad and Lao She.- Chapter9 Spatiality and Myth-Remaking in Contemporary Chinese Multimedia A Study of Goose Mountain and Tales of the Mirror.- Chapter10 The Cult of Mummies in the Mummy Series.

About the Author :
Julian Ward, Honorary Fellow in Chinese Studies at the University of Edinburgh and former Associate Editor of the Journal of Chinese Cinemas, has published widely in Chinese cinema and Chinese culture. He completed undergraduate and postgraduate study at the University of Edinburgh. He taught modern and traditional Chinese history and culture at the University of Edinburgh.   Chan Kar Yue Kelly completed her undergraduate degree and her master's degree both in the discipline of Translation and Interpretation at the City University of Hong Kong. She then finished her PhD in Classical Chinese Literature at the University of Edinburgh, United Kingdom. She is currently Associate Dean (Teaching and Learning) and Associate Professor in language and translation at Hong Kong Metropolitan University, teaching undergraduate and postgraduate courses on culture and translation, and literary translation. Her research interests include literary translation, women's studies in classical Chinese society, classical Chinese literature (poetry), and translation of Cantonese opera.   Lau Chi Sum Garfield obtained her PhD in English Language and Literature from Hong Kong Baptist University. She is Assistant Professor at Hong Kong Metropolitan University. She is responsible for courses in English Language and Literature at both undergraduate and postgraduate levels. Her areas of interest include Modernism, Psychoanalytic Criticism and Comparative Studies.