Experimental Practices in Interdisciplinary Art
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Experimental Practices in Interdisciplinary Art: Engaging the Margins(4 Experimental Practices)

Experimental Practices in Interdisciplinary Art: Engaging the Margins(4 Experimental Practices)


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About the Book

Experimental Practices in Interdisciplinary Art presents the work of contemporary artists who are committed to experimenting in the marginal areas where artmaking, practice-based research, and scholarship intersect. Some work in laboratory settings, some in studios, and some in wild landscapes or abandoned buildings. But all are committed to interrogating the way that art is created and positioned in a culture that continues to marginalize artists working across disciplinary boundaries. Their projects range from inquiries into the way surveillance technologies are used to reinforce power structures to collaboratories that help us to re-envision our relationship with the natural world and with each other. In reflecting on their wide-ranging explorations and unusual methods, these unique artists provide fruitful insights for bringing creativity to bear on issues of public import.

Table of Contents:
Foreword  Marcel O’Gorman List of Figures Notes on contributors Art as Experiment: an Introduction  Jesse Colin Jackson and Antoinette LaFarge Working Thinking Things Like Really Differently People  Valerie Olson I Phenomena 1 Rebecca Cummins 2 Jennifer Willet 3 Clea T. Waite 4 Betsy Stirratt 5 Brad Necyk Portfolio I  Aja Rose Bond; Enrica Costello; Rebecca Cummins; Brad Necyk; Jonathon Paden; Betty Spackman; Betsy Stirratt; Kristine Thompson; Clea T. Waite; Devon Ward; Jennifer Willet; and Maria Whiteman II Mediation 6 Ava Aviva Avnisan 7 Catherine Griffiths 8 Rebecca Uliasz and Quran Karriem 9 Jiayi Young 10 Mark Marino 11 Yvette Granata Portfolio Ii  Ava Aviva Avnisan; Pierre Cassou-Noguès, Stéphane Degoutin and Gwenola Wagon; Yvette Granata; Catherine Griffiths; Will Hallett; Lissa Holloway-Attaway; Jesse Colin Jackson; Antoinette LaFarge; Eddie Lohmeyer; Kimberly Lyle; Mark Marino and LA Inundacion; Steven Oscherwitz; Robert Rhee; Owen Smith; The Speculative Prototyping Lab; Dennis Summers; Rebecca Uliasz and Quran Karriem; and Jiayi Young, Tim Hyde, Jean-Marc Chomaz, and Samuel Bianchini III Place 12 Krista Davis and Nina Vroemen 13 Maria Michails 14 Margaretha Haughwout and efrén cruz cortés 15 Yulia Gilich Portfolio Iii  Coven Intelligence Program (efrén cruz cortés and Margaretha Haughwout) with Elæ Moss and Suzanne Husky; Christel Dillbohner; Yulia Gilich; Erika Lynne Hanson; Paul Harris; Ro Lawrence; Jason McDermott; Victoria McReynolds; Maria Michails; Heather Parrish; Emilio Taiveaho Pelaez; and Nina Vroemen and Krista Davis Index

About the Author :
Jesse Colin Jackson is a Canadian artist and designer based in Southern California. He explores the architectures we construct—from buildings to landscapes to virtual worlds—through objects and images made with digital visualization and fabrication technologies. His interactive Marching Cubes performances and installations (2016—present) have been featured in Toronto, Montreal, Vancouver, Mexico City, Stockholm, Tehran, and across America. He was a 2023 Fellow at the Newkirk Center for Science & Society, a 2014 Hellman Fellow at the University of California, and the 2008 Howarth-Wright Fellow at the University of Toronto. Jackson is Professor of Electronic Art & Design at the University of California, Irvine, in the Claire Trevor School of the Arts, where he also serves as Associate Dean for Research and Innovation and Executive Director of the Beall Center for Art + Technology. His website is http://jessecolinjackson.com/. Antoinette LaFarge is an artist-writer with particular interest in nonlinear narrative and alternate histories. She has published several books, most recently Fictive Art: Art, Hoax, and Provocation (2021) and Louise Brigham and the Early History of Sustainable Furniture Design (2019). Her articles on fictive art, new media, and related subjects have been published in the periodicals including Art Journal, Leonardo, Wired, and in books from MIT Press, Oxford University Press, and ICI Press, among others. She has exhibited her artwork internationally, including at the Venice Biennale and documenta, and is the co-curator of two early exhibitions on computer games and art: “SHIFT-CTRL: Computers, Games, and Art” (2000) and “ALT+CTRL: A Festival of Independent and Alternative Games” (2003). She is Emerita Professor of Digital Media at the University of California, Irvine. Her website is http://www.antoinettelafarge.com.


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Product Details
  • ISBN-13: 9789004708167
  • Publisher: Brill
  • Publisher Imprint: Brill
  • Height: 235 mm
  • No of Pages: 336
  • Series Title: 4 Experimental Practices
  • Weight: 729 gr
  • ISBN-10: 9004708162
  • Publisher Date: 24 Oct 2024
  • Binding: Hardback
  • Language: English
  • Returnable: Y
  • Sub Title: Engaging the Margins
  • Width: 155 mm


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