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Home > Art, Film & Photography > The arts: general issues > Theory of art > Masterplan: Akten Des Internationalen Kolloquiums Vom 1./2. April 2000 in Bern(1 Kunstgeschichten der Gegenwart)
Masterplan: Akten Des Internationalen Kolloquiums Vom 1./2. April 2000 in Bern(1 Kunstgeschichten der Gegenwart)

Masterplan: Akten Des Internationalen Kolloquiums Vom 1./2. April 2000 in Bern(1 Kunstgeschichten der Gegenwart)


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About the Book

Dieser Band versammelt die Beitraege von zwoelf Wissenschaftlerinnen und Wissenschaftlern, die am internationalen Kolloquium Masterplan. Konstruktion und Dokumentation amerikanischer Kunstgeschichten im April 2000 in der Villa Mettlen in Muri bei Bern teilnahmen. Thema ist die Geschichtsschreibung amerikanischer Kunst und die Problematik historiographischer Paradigmen. Die Beitraege reflektieren aus aktuellen Blickwinkeln europaeische und amerikanische Muster der Identitaetssuche im 19. und 20. Jahrhundert. Anhand bekannter Kuenstler wie Paul Cezanne, Joseph Cornell oder Allan Kaprow werden die Mechanismen der Biographik und Rezeptionsgeschichten demonstriert. Diskurse um Technik, Gattungen und Wertvorstellungen erweisen sich als praegende Modelle unserer Vorstellungen von der Entwicklung der amerikanischen Kunstszene.

Table of Contents:
Aus dem Inhalt: Ursula Frohne: Success is a job... - Zur kulturellen Konstruktion des amerikanischen Kuenstlers - Stephanie L. Taylor: Joseph Cornell: Biography/Biographer - Regine Prange: Das strukturale Unbewusste als postmodernes Sujet. Zur Lacan-Rezeption von Rosalind Krauss - Philip Ursprung: Plasterman: Allan Kaprows und Claes Oldenburgs Streit um das Erbe der New York School - Thomas Schmutz: Kuenstlerische Technik und ihre Vermittlung als identitaetsstiftendes Moment: Laughten Osborns Handbook of Young Artists and Amateurs (1845) - Timothy Barringer: National Myths and the Historiography of Nineteenth-Century American Landscape Painting: An European Perspective - Karin Schick: The Making of Cezanne: Eine amerikanische Rezeption - Pascal Griener: Old Masters/Modern Painting. A dialectic construction of art history for the American market during the 30s - Peter J. Schneemann: There is no style. Der Diskurs als Krise der 50er Jahre - Ann E. Gibson: Opticality and Its Discontents - Rachel Mader: Aneignung und Interpretation - Nancy Bartlett: Past Imperfect (l'imparfait): Mediating the Archival Legacy of Modern Art in America.

About the Author :
Die Herausgeber: Peter J. Schneemann, geb. 1964, ist Ordinarius fuer Kunstgeschichte mit dem Schwerpunkt Kunst der Gegenwart an der Universitaet Bern. M.A. University of Essex 1988, Promotion Universitaet Giessen 1993. Habilitation ueber die Historiographie des Abstrakten Expressionismus an der Universitaet Bern 2000. Thomas Schmutz, geb. 1968; Studium der Kunstgeschichte, politischen Wissenschaften und Medienwissenschaften an den Universitaeten Bern, Basel und Chapel Hill, North Carolina, USA. Promotion ueber Kuenstlerhandbuecher an der Universitaet Neuenburg. Spezialisierung in den Bereichen Museologie und Museumsmanagement.


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Product Details
  • ISBN-13: 9783906770536
  • Publisher: Peter Lang AG
  • Publisher Imprint: Peter Lang AG
  • Height: 220 mm
  • Returnable: N
  • Sub Title: Akten Des Internationalen Kolloquiums Vom 1./2. April 2000 in Bern
  • Width: 150 mm
  • ISBN-10: 3906770532
  • Publisher Date: 05 Mar 2003
  • Binding: Paperback
  • Language: English
  • Series Title: 1 Kunstgeschichten der Gegenwart
  • Weight: 680 gr


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