About the Book
When Stan Lee first pitched the idea of Spider-Man in 1962, his boss was full of objections: People hate spiders. Teenagers aren't lead characters; they're sidekicks. He should be glamorous and successful, not a friendless loser. But Stan persisted and Martin Goodman let him give the unlikely hero a tryout in Amazing Fantasy, which was already slated for cancellation. With Spider-Man on the cover, No. 15 shot to the top of Marvel's best-seller list for the year, and the rest is history.
Amazing Spider-Man, which debuted seven months later, broke the comics mold. Peter Parker lived in uncool Queens, was always broke, continually worried about his Aunt May, was unlucky in love, and was constantly getting yelled at by his boss, Daily Bugle publisher J. Jonah Jameson. Spider-Man had the quips and confidence that Parker lacked, but learning to use his powers wasn't always easy. He often seemed on the verge of defeat against the rogue's gallery of classic foes that debuted in the first couple of years: Vulture, Doctor Octopus, Sandman, Lizard, Electro, Kraven the Hunter, Mysterio, and the Green Goblin. Much of the credit for Spider-Man's greatness goes to co-creator and artist Steve Ditko, who had a knack for portraying teenagers and their problems. His artwork infused Spider-Man with a loose-limbed energy, and, while maybe everyone was scared of spiders, Ditko made swinging through New York seem like the coolest adventure ever.
This XXL-sized collector's dream, close in size to the original artworks, features the first 21 stories of the world's favorite web slinger from 1962-1964. Rather than recolor the original artwork (as has been done in previous decades' reprints of classic comics), TASCHEN has attempted to create an ideal representation of these books as they were produced at the time of publication. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era's inexpensive, imperfect printing-as if hot off of a world-class 1960s printing press. A custom paper stock was exclusively developed for this series to simulate the feel of the original comics.
With an in-depth historical essay by Marvel editor Ralph Macchio, an introduction by uber-collector David Mandel, and original art, rare photographs, and other gems, these 698 pages of wall-crawling wonder will make anyone's spider-sense tingle with anticipation.
© 2021 MARVEL
About the Author :
Douglas Wolk is a multiple-Eisner-winning author of All of the Marvels and Reading Comics and has written about comics and pop music for The New York Times, Time, The Washington Post, Rolling Stone, and The Believer, among others. He teaches comics history at Portland State University.
John Buscema (1927–2002) began working for Timely Comics in 1948 drawing Westerns, crime comics, and horror/suspense. He left comics for commercial art but returned to Marvel in 1966, establishing at Marvel a singular style of elegance and realism. His long list of credits includes The Silver Surfer, The Avengers, Sub-Mariner, The Fantastic Four, and numerous Conan the Barbarian stories. In 1978, he collaborated with Stan Lee on a landmark instructional book How to Draw Comics the Marvel Way.
Stan Lee (1922–2018) is known to millions as the man whose super heroes propelled Marvel to its preeminent position in the comic book industry. His cocreations include Spider-Man, the Incredible Hulk, the X-Men, the Fantastic Four, Iron Man, and hundreds of others. While the Chairman Emeritus of Marvel, he was also the Chief Creative Officer of POW! Entertainment, where he created numerous new characters and stories in areas including publishing, film, reality TV, stage, documentary, and multimedia.
Review :
TASCHEN's Marvel Comics Library represents a sincere respect and appreciation for comics history.
TASCHEN is known for its glorious art books, so when they promise a 'meticulous' reproduction, believe it.
These extra-large format recreations of the early issues will delight serious collectors.
Fans of massive comic book history will get a kick out of how faithful these volumes are to the original books.
As authentic to the original newsstand versions as possible. So authentic, in fact, that many of the original letters pages and ads featured in the comics made their way into this collection (though that offer for Mike Marvel's muscle-building Dynaflex workout method probably isn't valid anymore.)
Occasionally you get lucky and the book you envisioned is the one that actually gets made. Sometimes, you get extraordinarily lucky and the final product exceeds all your expectations.
He's a human hero that goes through all of the same struggles that we all have gone through.
