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Home > Biographies & Memoire > Literature: history and criticism > Literary theory > Gaia-Ästhetiken im zeitgenössischen Spielfilm: Das Wahrnehmbar-Werden der Erde in der filmischen Post/Apokalypse(4 Environmental Humanities)
Gaia-Ästhetiken im zeitgenössischen Spielfilm: Das Wahrnehmbar-Werden der Erde in der filmischen Post/Apokalypse(4 Environmental Humanities)

Gaia-Ästhetiken im zeitgenössischen Spielfilm: Das Wahrnehmbar-Werden der Erde in der filmischen Post/Apokalypse(4 Environmental Humanities)


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About the Book

Gaia-Ästhetiken entwerfen Figurationen der Erde und ihrer Lebensformen, welche die Menschen dezentrieren und den Fokus auf die Verbindungen zwischen Lebewesen untereinander und dem Unbelebten richten. Diese Ästhetiken sind der Gaia-Theorie entlehnt. In den 1970er Jahren bei der NASA entwickelt, wird sie von Bruno Latour und Isabelle Stengers in den Kontext des Anthropozäns gesetzt. Die Erde als Gaia ist eine mehr-als-menschliche Assemblage, in der die Menschen Knotenpunkte der Verantwortlichkeit darstellen. Filmische Ästhetiken können diese Knotenpunkte wahrnehmbar werden lassen, wie die Spielfilme I Am Legend (2007) und Planet of the Apes (2011-2017) zeigen. Die Filme präsentieren ihren Zuschauer_innen eine Welt in der Post/Apokalypse, in der die Filmfiguren mit dem Eindringen Gaias konfrontiert sind. Sie werden in der Post/Apokalypse kompostiert: Viren dringen in ihre Körper ein, zersetzen ihre Menschlichkeit und lassen sie zum Teil des mehr-als-menschlichen Gaia-Komposts werden.

Table of Contents:
Einleitung: Welche Bedeutung haben mehr-als-menschliche Gaia-Ästhetiken für die Medienwissenschaft?.- Gaia und mehr-als-menschliche Verschränkungen in medialen Akteur-Netzwerken.- Gaias Eindringen in filmische Imaginationen der Apokalypse.- Die technowissenschaftliche Hervorbringung mehr-als-menschlicher Gaia-Ästhetiken.- Fazit: SF im Rahmen technokapitalistischer Reproduktion.- Bildmaterial.- Quellenverzeichnis.

About the Author :
Friederike Ahrens ist Mitglied der Arbeitsgruppe "Eco Media" der Gesellschaft für Medienwissenschaft und organisierte dort die Online-Reading Group bis Dezember 2022. Von November 2020 bis Dezember 2022 arbeitete sie als Wissenschaftliche Mitarbeiterin am Zentrum für Entwicklungsforschung (ZEF) der Universität Bonn im Bereich Online-Mediendidaktik und Wissenschaftskommunikation.


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Product Details
  • ISBN-13: 9783662681954
  • Publisher: Springer-Verlag Berlin and Heidelberg GmbH & Co. KG
  • Publisher Imprint: J.B. Metzler
  • Height: 235 mm
  • No of Pages: 317
  • Series Title: 4 Environmental Humanities
  • Width: 155 mm
  • ISBN-10: 3662681951
  • Publisher Date: 30 Jan 2024
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Sub Title: Das Wahrnehmbar-Werden der Erde in der filmischen Post/Apokalypse


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Gaia-Ästhetiken im zeitgenössischen Spielfilm: Das Wahrnehmbar-Werden der Erde in der filmischen Post/Apokalypse(4 Environmental Humanities)
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Gaia-Ästhetiken im zeitgenössischen Spielfilm: Das Wahrnehmbar-Werden der Erde in der filmischen Post/Apokalypse(4 Environmental Humanities)
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