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Home > Religion, Philosophy & Sprituality > Philosophy > Topics in philosophy > Aesthetics > Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie(Abhandlungen zur Musikwissenschaft)
Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie(Abhandlungen zur Musikwissenschaft)

Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie(Abhandlungen zur Musikwissenschaft)


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About the Book

Musik ist - von Platon bis Adorno -  immer auch ein Gegenstand philosophischen Nachdenkens gewesen. In den letzten rund zehn Jahren haben sich philosophische Stellungnahmen zur Musik auffällig gehäuft. In diesem Band sind Überlegungen versammelt, mit denen Musikwissenschaftlerinnen und Musikwissenschaftler auf die Beiträge der Philosophen reagieren, sie weiterdenken, perspektivieren, infragestellen. Sie tun dies aus ihren ganz unterschiedlichen Fachbereichen heraus, als Musik-Historikerinnen, -theoretiker, -ethnologinnen, -soziologen oder Popmusik-Forscher, und bringen dabei zentrale Aspekte der philosophischen Debatte in einen Bezug zu konkreten musikalischen Phänomenen. Im Mittelpunkt steht dabei die Frage nach der ästhetischen Autonomie der Musik.

Table of Contents:
Möglichkeit und Wirklichkeit Musiktheoretische Variationen über Gunnar Hindrichs’ Autonomie des Klangs.- Im Denken über Musik eingewoben: Materialität.- Zur Materialität des Klangs.- Pop mit Wellmer als Kunst hören.- Verwerklichung und Verwirklichung.- Von Kühen und Hasen.- Autonomie und Relationalität.- Musikalische Autonomie.- Drei Dimensionen des Autonomie-Begriffs – und die Frage nach der Entstehung des musikalischen Kunstwerks.- Die Autonomie des Klangs und das Ethos der Kunstmusik in der Moderne.- ‚Autonomania‘ und ‚Ideology of Autonomy‘ – Die Autonomie-Diskussion in der analytischen Musikästhetik und der New Musicology.- Das Außen nach Innen stellen.-

About the Author :
Nikolaus Urbanek ist Professor für Musikwissenschaft und Leiter des Instituts für Musikwissenschaft und Interpretationsforschung an der Universität für Musik und darstellende Kunst Wien sowie Leiter des Wissenschaftszentrums Arnold Schönberg und die Wiener Schule Melanie Wald-Fuhrmann ist Direktorin der Abteilung Musik des Max-Planck-Instituts für Empirische Ästhetik, Frankfurt/M.


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Product Details
  • ISBN-13: 9783476046536
  • Publisher: Springer-Verlag Berlin and Heidelberg GmbH & Co. KG
  • Publisher Imprint: J.B. Metzler
  • Height: 235 mm
  • No of Pages: 227
  • Series Title: Abhandlungen zur Musikwissenschaft
  • Width: 155 mm
  • ISBN-10: 3476046532
  • Publisher Date: 16 Nov 2018
  • Binding: Paperback
  • Language: German
  • Returnable: Y
  • Sub Title: Musikwissenschaftliche Antworten auf Musikphilosophie


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Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie(Abhandlungen zur Musikwissenschaft)
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Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie(Abhandlungen zur Musikwissenschaft)
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