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Home > Art, Film & Photography > Photography & photographs > Photographic equipment and techniques: general > Creative Vision: Traditional and Digital Methods for Inspiring Innovative Photography(Required Reading Range)
Creative Vision: Traditional and Digital Methods for Inspiring Innovative Photography(Required Reading Range)

Creative Vision: Traditional and Digital Methods for Inspiring Innovative Photography(Required Reading Range)


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About the Book

Creative Vision aims to bridge the creative divide between progressive digital image creation and traditional photographic concerns. The emphasis here is on creativity, inspiration, and encouraging experimentation rather than technique, rules, or safe strolls down well-trodden artistic paths. It will encourage photographers and fine artists to explore a range of different disciplines as a means of enhancing their primary artistic goals, by mixing-it-up, living a little dangerously, and waving goodbye to entrenched attitudes.

Table of Contents:
Introduction. How to get the most out of this book. What is creative vision?: Who are you?; Early experiences; What are you trying to say?; Some creative strategies; Mission impossible - what makes a 'good' photograph?; A quick resume of film photography techniques; Summary. Mixing film with digital: Adopting a fresh approach; Break the rules; Alternative lighting techniques; Experimental formats; Focusing/de-focusing; Using artists' materials and using materials artistically; Creative use of the darkroom process; Creative use of Photoshop software; Summary. Cameraless Photo-Art: Photograms; Photocopiers; Scanning objects, textures and backgrounds; Image transfers; Printing through; Printing slides and colour negatives as black-and-white prints; Computer as camera - the art of screengrabs; Summary. Montage: Montage and design; Traditional techniques; Digital techniques; Montage and multiple exposure; Summary. Distressing films and papers: Staining; Burning; Bleaching; Rough handling of materials; Scratching; Sanding; Natural decay over time; Action of sunlight on photographs; Summary. Specialist films and processing: Infrared; Ultraviolet; High-speed film; Polaroid; Deliberate colour casts; Cross-processing; Deliberate reticulation; Toning; Out-of-date films and papers; Pinhole photography; Junk shop and toy cameras; Summary. The inner world: Abstracts; Light as a subject; Getting the most from light; Summary: fact or fabrication. The outer world: Series and sequences; Found objects and documentary projects; Light painting; Developing themes; Don't think, just shoot; A sense of place; Summary. Extending traditional genres and styles: Appropriated images; The nude; Still life; Portraiture; Landscape; Self-portraiture; Summary. Innovative presentation of work: Raised prints and block-mounting; backlit prints; Liquid light; Large scale prints; Cubes, postcards and vending machines; Summary. Conclusion. Appendix: Glossary; Photographer's contact details; Recommended reading; Websites and other resources; Acknowledgements.

About the Author :
Jeremy Webb is a freelance photographer, digital artist and a tutor in photography at Great Yarmouth College, Norfolk with extensive experience in a wide variety of businesses including design of on-line education courses. He is contributor to numerous magazines and websites and undertakes regular exhibitions and commissions of his work.


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Product Details
  • ISBN-13: 9782884790727
  • Publisher: Bloomsbury Publishing PLC
  • Publisher Imprint: AVA Publishing SA
  • Height: 280 mm
  • Returnable: N
  • Sub Title: Traditional and Digital Methods for Inspiring Innovative Photography
  • Width: 228 mm
  • ISBN-10: 2884790721
  • Publisher Date: 10 Oct 2005
  • Binding: Paperback
  • Language: English
  • Series Title: Required Reading Range
  • Weight: 980 gr


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Creative Vision: Traditional and Digital Methods for Inspiring Innovative Photography(Required Reading Range)
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