Adua

“Utterly sublime."—Maaza Mengiste, author of Beneath the Lion’s Gaze Adua, an immigrant from Somalia to Italy, has lived in Rome for nearly forty years. She came seeking freedom from a strict father and an oppressive regime, but her dreams of becoming a film star ended in shame. Now that the civil war in Somalia is over, her homeland beckons. Yet Adua has a husband who needs her, a young man, also an immigrant, who braved a dangerous crossing of the Mediterranean Sea. When her father, who worked as an interpreter for Mussolini’s fascist regime, dies, Adua inherits the family home. She must decide whether to make the journey back to reclaim her material inheritance, but also how to take charge of her own story and build a future. Igiaba Scego is an Italian novelist and journalist. She was born in Rome in 1974 to Somali parents who took refuge in Italy following a coup d’état in their native country, where her father served as foreign minister.

About the Author :
Igiaba Scego is an Italian novelist and journalist. She was born in Rome in 1974 to Somali parents who took refuge in Italy following a coup d’état in their native country, where her father served as foreign minister. Jamie Richards is a translator based in Milan. She holds an MFA in Literary Translation from the University of Iowa and a PhD in Comparative Literature from the University of Oregon. Her translations include Igort’s Ukrainian and Russian Notebooks, Giovanni Orelli’s Walaschek’s Dream, and Jellyfish by Giancarlo Pastore.

Review :
"The Italian-born daughter of Somali parents, Scego ... writes with forthright simplicity and unblinking honesty ... Bearing witness through fiction, Scego's Adua gives urgent voice to the silent caught between shifting loyalties, abusive power, and nations at war. "—The Christian Science Monitor "Lovely prose and memorable characters make this novel a thought-provoking and moving consideration of the wreckage of European oppression."—Publishers Weekly (Starred Review) "Lucid and forthright ... examines the linked consequences of Italian colonization, instability in 1970s Somalia, and the current refugee crisis in Europe ... an illuminating work appropriate for a wide range of readers.—Library Journal (Starred Review) "A memorable, affecting tale ... brings the decolonialization of Africa to life ... all the more affecting for being told without sentimentality or self-pity."—Foreword Reviews "Utterly sublime. Igiaba Scego strikes the perfect balance between melancholy humor and simmering rage. Adua tells a gripping story of war, migration and family, exposing us to the pain and hope that reside in each encounter."—Maaza Mengiste, author of Beneath the Lion's Gaze "I could not put down this enchanting novel; its characters pulsate off the page, fraught with the entanglements of living ... You read books everyday and then you come across that one that just grips you and haunts you and stays with you. That book is called Adua."—Novuyo Rosa Tshuma, author of The House of Stone and Shadows "The story of Italian fascism in East Africa (Somalia, Ethiopia, Eritrea) has mostly been unrecorded. The novel skillfully draws together the changing aspects of colonialism over a period of more than a century."—CounterPunch "Adua is a riveting novel that ... will captivate you at every page. Its urgent relevancy makes it a must-read for those who want to further understand our world."—Underrated Reads "Deeply and thoroughly researched ... also a captivating read: the novel is sweeping in its geographical and temporal scope, yet Scego nonetheless renders her complex protagonists richly and lovingly."—Africa is a Country "Igiaba Scego is an original voice who connects Italy's present with its colonial past. Adua is an important novel that obliges the country to confront both memory and truth."—Amara Lakhous, author of Clash of Civilizations Over an Elevator in Piazza Vittorio "This book depicts the soul and the body of a daughter and a father, illuminating words that are used every day and swiftly emptied of meaning: migrants, diaspora, refugees, separation, hope, humiliation, death."—Panorama