Nobody's Looking at You: Essays

A brilliant and eclectic new essay collection from a master of the form. Janet Malcolm's previous collection, Forty-One False Starts- Essays on Artists and Writers, was 'unmistakably the work of a master' (New York Times Book Review). Like Forty-One False Starts, Nobody's Looking at You brings together previously uncompiled pieces, mainly from The New Yorker and the New York Review of Books. The title piece of this wonderfully eclectic collection is a profile of the fashion designer Eileen Fisher, whose mother often said to her, 'Nobody's looking at you.' But in every piece in this volume, Malcolm looks closely and with impunity at a broad range of subjects, from Donald Trump's TV nemesis Rachel Maddow, to the stiletto-heel-wearing pianist Yuju Wang, to 'the big-league game' of Supreme Court confirmation hearings. In 'Socks', the Pevears are seen as the 'sort of asteroid that has hit the safe world of Russian Literature in English translation', and in 'Dreams and Anna Karenina', the focus is Tolstoy, 'one of literature's greatest masters of manipulative techniques'. Nobody's Looking at You consolidates Jane Malcolm's reputation as one of the greatest non-fiction writers at work today.

About the Author :
Janet Malcolm is the prize-winning author of many books, including Iphigenia in Forest Hills- Anatomy of a Murder Trial, Two Lives- Gertrude and Alice and Burdock, a volume of her photography. Malcolm writes frequently for the New Yorker and the New York Review of Books. She splits her time between New York City and Sheffield, Massachusetts.

Review :
‘With no weak selections and several strikingly prescient ones, this collection shows its author as a master of narrative nonfiction.’ (starred review) ‘Malcolm as a whole sets a gold standard of performance for any journalist…It’s wise to expect the unexpected.’ ‘Few writers pay attention with the precision, acuity and patience [Malcolm] has exhibited during her career of telling stories...Her work was hybrid before hybrid was a thing: It balances her skills as a reporter (avid, nosy attention) with those of a scholar (writing about anything, it’s clear she’s read everything), a literary critic (tuned to how language, written or spoken, foregrounds its maker’s gifts and faults) and, above all, a storyteller. She is uncommonly concerned with finding a form that delivers the force of the story she is telling.' 'What unites these pieces is a mood—heavy, autumnal, nostalgic...There is stirring, beautifully structured writing here, particularly in the title essay, a profile of Fisher, which combines many of the writer’s signal interests—our unconscious aggression and the way we methodically and unknowingly recreate the world of our childhood in our adult lives.’ ‘She is among the most intellectually provocative of authors, able to turn epiphanies of perception into explosions of insight.’ ‘Janet Malcolm…remains a ruthless, dazzling journalist.’ ‘[R]uthlessly artful…[H]er magazine profiles of noted personalities are peerless when it comes to unraveling what makes people tick. She’ll deliver the factual goods with brisk efficiency, while happily leaving mysteries in place.’  'Every word of Janet Malcolm’s latest nonfiction collection, Nobody’s Looking at You, is a pleasure to read, even if you have no built-in interest in her topics. The author of The Journalist and the Murderer comes off like a proponent of the 'Life is short, eat dessert first' philosophy, placing her snappiest pieces in the first section...[The essays] show off Malcolm’s way with quick, vivid word pictures...and her gift for the telling detail...[and] reveal the breadth of Malcolm’s wit and insight[.]’  'Malcolm brings [the] same moral seriousness to every topic she addresses…[H]er calm, brilliant essays are the perfect tonic for our troubled times.’ ‘Malcolm’s work inspires the best kind of disquiet in a reader—the obligation to think.’ ‘A legendary journalist.’ 'Nobody's Looking At You is brimful of all the eloquence, erudition and insight a thoughtful reader could want.’ ‘If Malcolm’s stories were items of clothing, then you would scarcely be able to see the stitching. So seamless and well-structured are they that the research and hours and effort that must have occurred behind the scenes are virtually undetectable. Nobody’s Looking at You is an enlightening, rewarding read from one of the greats.’ 'If there were a title for Grand Master of narrative non-fiction then the undisputed champion would be Janet Malcolm...Nobody’s Looking at You is a satisfying read by an excellent writer. Malcolm’s perspective is unique and her voice is so sharp and witty.' 'The latest collection of essays from the provoative grande dame of US journalism is predictable only in its near-constant ability to surprise: no matter how transparently Malcolm renders her nimble thought processes, each piece winds up somewhere unexpected.’ ‘Readers thrill or recoil not at what [Malcolm] says, but at the certain feeling that she could say much worse. Restraint is her drama. Perversity is her mood.’ ‘A demonstration of pre-internet-style intelligence: her enquiries are deep rather than broad; she is outward-looking; her view is not flitty nor fragmented; and her pieces proceed always with a sense of lasered focus.’