Making Sense

A literary masterpiece from world-renowned psychoanalyst and distinguished writer, Professor Martin Stanton that picks up the baton from R. D. Laing. Spanning a novel, travel-guide, documentary, self-help book, play, photo album, film script, and work of art, Making Sense is a cultural phenomenon – a long overdue wake-up call – railing at society’s idealisation and narcissism. Martin Stanton has created a guide for a postmodern world that is constructed through social media, and communicates principally through tweets, texts and selfies. Like Homer’s Odyssey, this is an epoch-changing classic that takes a timely quantum leap from a cognitive world of straight-line argument and causal interpretation, into a parallel unconscious universe of uncontrolled feeling, which traps fragments of fantasy in the retreating tides of reality. Making Sense collects together a group of major and minor characters, some real, some imaginary, who set out to make sense of life together by opening the social media gate between Reality and Fantasy. A survey of Martin Stanton’s own thinking and feeling on his original psychoanalytic odyssey across becalmed seas, random conversations with a therapeutic parrot, stranded for a while with Socrates on the black sandy beach of Paradise, he explores how a bezoar stone, a caddis insect, and a karaoke moment can linger through his life, and make sense for him as a primary source; as unconscious effects which sustain, enlighten, and entertain him through darker times. This book scrawls a message of hope in the sand once the outgoing tide has retreated. ‘Enjoy life’, it says. ‘Celebrate it in yourself and in others.’

Table of Contents:
Acknowledgements About the author Seatbelt sign (Pre)conception In the beginning Learning curve: how to start to make sense Mirror stage No direction home Muse Thumper bumper Jewel in the crown Trauma time Fish out of water Threshold First foot Changing tracks Life class Outside beauty: Helen explains Living doll Siren Bird of paradise Background music In tune Karaoke Someone like you Swansong Swallow Blind date Dreamer Pedestal Ending (up or down and out)

About the Author :
Martin Stanton is a writer, teacher and psychoanalyst. He studied at Dartford Grammar School, St Antony’s College, Oxford, the University of Sussex, and the École Normale Supérieure in Paris. He founded the first Centre for Psychoanalytic Studies at the University of Kent in 1980. He has been a Visiting Professor at the New School for Social Research in New York City, and an Associate Research Fellow at the University of Cambridge. He founded and directed the Staff Counselling and Mediation Service at University College London in 2000, and has held senior clinical posts as a psychotherapist, counsellor, and mediator within the NHS. He has published numerous books and articles including Outside the Dream (which was reissued in 2014), Sandor Ferenczi, and Out of Order. A review of his life and work is available on Wikipedia.

Review :
Are we being taken for a ride? Certainly. Martin Stanton audaciously unzips and spills the traditions of radical psychoanalytic thought into the contemporary moment, unleashing lines of flight into the vital forces of art, dream, imagination, and wit. This book will be an inspiration for all those who feel dismay at their role in a society that is increasingly out of order. Caught as we are on the narrow rails of the neoliberal rollercoaster, where science and reason are applied as the desperate brakes on the psychosocial ravages of economic individualism and ruling class power, this book switches the tracks. It unfetters the liberatory vision of a therapeutic education that acknowledges the beauty and terrors of a search for freedom beating at the heart of the therapeutic enterprise. Whether looking at Facebook or works of art as bearers of a benign gaze or as a trap, this vital book challenges all professional talking heads to stop making sense and to start sense making in our practice. Martin Stanton’s long-awaited new book Making Sense will enter the mental field in a cultural atmosphere where almost all the basic issues of the so-called psy-complex have been questioned during the last decades. We cannot be sure whether there are mental illnesses at all in the medical sense; whether these hardly existing disorders are treatable via biomedical technologies especially drugs; whether psychotherapies run parallel with drugs in the sense that they can provide pill-substitute techniques for changing the unneeded aspects of the psyche; whether psychological knowledge can be scientifically valid (quantitive, measurable, universal, repeatable). Stanton has the huge merit of re-introducing the works and ideas of Sándor Ferenczi, who in the first half of the twentieth century drew the conclusion from his psychoanalytic experiences that all ‘techniques’ should be given up in the process of dealing with the existential problems of human beings. I am sure that Stanton takes this position very seriously and is breaking radical new ground in this book. On this philosophical basis, Making Sense can only be thought-provoking, by way of giving up any established, conventional method: no ultimate meaning in life, therefore an ultimate method is impossible, leaving in its place floating, ever-changing ones. The creative perspective towards psychic pain, and driving towards new meanings from it, makes Martin Stanton’s work deeply inspiring and intellectually challenging reading. Martin Stanton is an internationally known and respected author, teacher, and researcher in the field of psychoanalysis. An early contribution led to a first prototype Centre for Psychoanalytic Studies at the University of Kent in Canterbury, UK, in 1986. His book, Sándor Ferenczi: Reconsidering Active Intervention (Aronson/Free Association, 1991) created a Ferenczi renaissance which brought Ferenczi’s contributions into international recognition which continues to this day. Stanton is a highly original and creative author. This book, Making Sense, continues Stanton’s critique of psychoanalytic conventional thinking. He questions the accepted analytic technique of ‘interpretation’ as relying on a basic misunderstanding of life. He criticises the cognitive approaches to treatment as rigid and wrong-headed. Stanton emphasises the important place of feelings over thinking. His thinking is based on Freud’s original definition of the fundamental rule of psychoanalysis: ‘free association’. His expansive and highly original thinking is based on his recognising the lack of an ‘ultimate meaning in life’. This gives him the freedom and the space to go beyond the inherent limitations of society’s (and analytic) ways of viewing life. His book will provide important insights not only for psychoanalysis but also into our experience of living. With his fine international reputation, Martin Stanton’s new book Making Sense will receive widespread acclaim. I am happy to recommend his new book to you and I, personally and as a psychoanalyst, look forward to reading it. Martin Stanton was a pioneering instigator in the arduous travail of Sándor Ferenczi’s return from ostracism for alleged psychoanalytic heresy. In the decades since, joined by other intrepid scholars to present what Ferenczi actually did, said, and wrote, he has absorbed both the essence and the process of Ferenczi’s unique creativity and humanism too long banished from psychoanalytic discourse and practice. Making Sense is the welcome demonstration of that absorption: a radical proposal that the real-life complexity of thought, emotion, and experience will always resist closure, resolution, fixing, getting over it, interpretation, diagnosis, and so-called ‘normality’. In so doing, Stanton generates poetic new metaphors for living that are as supportive as they are expansive. For Sándor Ferenczi, nothing was ever filed away as finally dealt with, a worldview Martin Stanton now honors with these morsels of practical wisdom, each at once juicy, sweet, and savoury – and full of new nourishment. 'There are imaginative and surreal evocations of the mind as, among other things, a caddis fly, complete with beautiful illustrations ... Such descriptions, and it is difficult to do them justice here, are loaded with rich metaphors for both the client and the therapist, as they grapple to understand the 'entire span' of a life history' 'There are imaginative and surreal evocations of the mind as, among other things, a caddis fly, complete with beautiful illustrations ... Such descriptions, and it is difficult to do them justice here, are loaded with rich metaphors for both the client and the therapist, as they grapple to understand the 'entire span' of a life history' 'There are imaginative and surreal evocations of the mind as, among other things, a caddis fly, complete with beautiful illustrations ... Such descriptions, and it is difficult to do them justice here, are loaded with rich metaphors for both the client and the therapist, as they grapple to understand the 'entire span' of a life history' 'Making Sense ... is also a call to make a future for psychoanalysis, philosophy, and confrontation with art. It is an expression not unlike that of the surrealists to inspire us to confront the enigmatic in ourselves and in our world. Psychoanalysis, philosophy, art – making sense – gives people a way to make sense of their lives.'