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Future Art Ecosystems 4: Art x Public AI: (4 Future Art Ecosystems)

Future Art Ecosystems 4: Art x Public AI: (4 Future Art Ecosystems)


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About the Book

Future Art Ecosystems (FAE) is an annual strategic briefing that provides analytical and conceptual tools for the construction of 21st-century cultural infrastructure: the systems that support art and advanced technologies as a whole, and respond to a broader societal agenda. The series was conceptualised by Serpentine R&D Platform in collaboration with Rival Strategy. FAE4: Art x Public AI zooms in on the emerging landscape of AI technologies as they impact the creative economy and society at large. With insights from leading voices in art, tech industry and government policy, this publication maps the risks and opportunities in building and integrating various elements of AI systems within the cultural domain.

Table of Contents:
Preface Introduction Defining Public AI A Framework for Public Claims on Resources Al Tech Stack 1. Organisation DATA: Civic Orgs as Dormant Data Keepers MODEL: Culture Shaping Model Shaping Culture COMPUTE: High Barriers to Cultural Entry 2. Artist Training Data as Shadow Labour. Semi-Autonomous Aesthetics From Systems-Building to Worldbuilding A New Era of (Art) Tech Development 3. Ecosystem Investing into the Foundations of the AxAT Ecosystem with a Public Mission Recommendations for a Proactive AxAT Participation in Public AI Postface: Bettina Korek and Hans Ulrich Obrist Biographies

About the Author :
Victoria Ivanova is R&D Strategic Lead within the Arts Technologies team at Serpentine where she leads on the Future Art Ecosystems initiative and has been instrumental in developing creative R&D infrastructure and activity. She also does research and consultancy on organisational, systems and institutional design. Victoria has previously worked in human rights and founded Izolyatsia, a cultural centre in Donetsk, Ukraine, which has been expropriated by a Russian militia in 2014, and consequently turned into a torture facility. Eva Jager is Curator of Arts Technologies at Serpentine gallery in London. She commissions artists working with advanced technologies and is a collaborator in teams designing novel approaches, workflows and philosophies of emerging tech. During her time at Serpentine she has worked with artists Holly Herndon and Mat Dryhurst, Jenna Sutela, Hito Steyerl, Suzanne Treister, Jakob Kudsk Steensen, Trust, 0rphan Drift, Kite, Keiken, Danielle Brathwaite-Shirley, Libby Heaney, Gabriel Massan and dmstfctn. Eva is also part of the team working on Future Art Ecosystems as a researcher for the annual briefing and as co-investigator of the Creative AI Lab (Serpentine R&D Platform and King's College London). Gary Zhexi Zhang's works explore systemic connections between cosmology, technology and economy. He operates individually, in collaboration and within organisational frameworks. He recently edited a book of fictions, essays and interviews about finance and time, Catastrophe Time! (Strange Attractor Press, 2023). Dead Cat Bounce, the opera he co-created with Waste Paper Opera, premiered at Somerset House in 2022 and tours in 2024. His most recent film and solo exhibition, METAMERS, was presented at EPFL Pavilions in February 2024. His works have been shown at Totalab, Shanghai; UCCA Dune, Beidaihe; Para Site, Hong Kong; Inside Out Art Museum, Beijing. Alasdair Milne is a PhD researcher with Serpentine's Creative AI Lab and King's College London, working across the philosophy of technology and curatorial R&D. He is a research fellow at Gray Area in San Francisco.


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Product Details
  • ISBN-13: 9781908617880
  • Publisher: Serpentine Gallery
  • Publisher Imprint: Serpentine Gallery
  • Height: 135 mm
  • Width: 90 mm
  • ISBN-10: 1908617888
  • Publisher Date: 04 Oct 2024
  • Binding: Paperback
  • Series Title: 4 Future Art Ecosystems


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