About the Book
Edward Adrian Wilson is perhaps the most famous native son of Cheltenham. In the early years of the 20th Century, he was one of the major influences and personalities of the heroic age of Antarctic exploration and has also been recognised as one of the top ranking ornithologists and naturalists in the United Kingdom during this period. He was also one of the last great scientific expedition artists. Despite this, remarkably little has been published about him. His father wrote an unpublished biography of him shortly after his death. This was an important source for George Seaver, who published three volumes of biography on Edward Wilson in the 1930s and 40s, fortunately quoting extensively from his letters and diaries. After the appearance of the first two volumes much of the source material that Seaver had used was destroyed, most of it on the instructions of Oriana, Edward Wilson's widow. There was nothing malicious in this: she simply thought that she had done her public duty in allowing a biography to be published and did not want strangers digging around in her private correspondence after her death.
In the 1960s and 70s, through the Scott Polar Research Institute, the Antarctic expedition diaries of Edward Wilson and a volume of his Antarctic bird pictures were published. Several people tried to write new biographies in the 1970s and 80s but all failed for the lack of new material: due to the subsequent events, George Seaver's books and the published diaries already contained much of the source material about the life of Edward Wilson. As such this volume draws heavily on the work of Edward Wilson's father, on the published diaries, and on George Seaver. With Seaver in particular, however, his use of the historical sources available to him requires a word of caution: he frequently used the narrative technique of rolling quotations from several letters or diary entries into one quotation, passing them off as a single quotation from a single document. Since he published no footnotes it is almost impossible to establish where he has or has not done this, although his longer quotations, or quotations from complete letters, tend to be accurate.
Unlike some commentators in subsequent generations, who often use quotation techniques to alter historical facts and to mis-represent what was said, with Seaver it is generally benign - he has not, as far as we have discovered, changed the sense of meaning, or misrepresented facts external to the actual form of the quotation. It is, however, something of a disaster from the point of view of accurate scholarship given that the original manuscripts are often no longer available. We have done our best, where possible, to find the original sources but these are very scattered, where they still exist, and it is painstaking work. Occasionally, they can be recreated through bringing together copied extracts - fortunately a habit in which many of the Wilson family indulged - such as in Edward Wilson's last letter to Oriana, reproduced towards the end of this book. In many ways, therefore, the following text should not be seen as a major new biography of Edward Wilson but rather as a complement to the volumes of George Seaver. This is not to say that there is no new material in the book, there should be enough to interest polar scholars, though there may not be as much as they had hoped.
Where possible, we have also chosen to use previously unpublished illustrations from the vast collections of Edward Wilson's pictures. These, alone, should be enough to interest those in search of new material. Our aim, however, is to meet the many hundreds of enquiries received about this famous son of Cheltenham and his life. Edward Wilson is one of the most asked after aspects of the collections at the Cheltenham Art Gallery and Museums. This work is intended to answer this demand from the public for something about Edward Wilson to be available to them in print, and to identify the 'Wilson sites' in and around Cheltenham, rather than to write an academic book. As such there are no footnotes but an annotated copy of the text will be placed in the collections of the Scott Polar Research Institute, the Cheltenham Public Library and the Cheltenham Museum, so that those who may be interested in the historical sources for this work will be able to find them. Finally, it seems impossible not to say a few words about the contemporary situation as regards polar historical scholarship and biography, against which this book will inevitably be judged by some.
We hope that this work is an exception to the current fashion for cynicism. Some will doubtless find it an "old fashioned" or "non-critical" work as a result. For this we make no apology. Our aim isn't to pick for faults like vultures at a carcass, nor to sit in judgement, but to help you to get to know a remarkably complex man a little better - and maybe - just maybe - you will find a little inspiration for your own life and times through the life and times of Edward Adrian Wilson.
About the Author :
DR. DAVID M. WILSON With over ten years experience working on Expedition cruise ships, Dr David Wilson is in increasing demand both as an ornithological field guide and as an historian. He boasts numerous explorers and ornithologists on his family tree, which add a uniquely personal flavour to many of his talks. Not least amongst these was his great uncle, Dr Edward Wilson, who was on both of Captain Scott's Antarctic Expeditions and famously died with him on the return from the South Pole in 1912. With his wide range of philosophical, artistic and biological interests, time spent talking with Dr. Wilson is not likely to be dull. He is the author of numerous books, papers and even a CD of historic Antarctic expedition songs and poems. His latest books, to be published in the autumn of 2011 will be a volume of Captain Scott's own long lost photographs; and a volume of his great uncle's Antarctic paintings. Dr. David M. Wilson, PhD. (Essex), was born in 1963. Having an early career in the theatre, he moved on to study at the United World College of the Pacific and the Universities of York and Essex, where he trained as a philosopher. He is also a trained Counsellor. With a strong interest in Aboriginal cultures, he also has a wide range of ornithological and natural history interests. He is a noted polar historian with a personal connection to his subject: his great uncle, Dr Edward Wilson, died with Captain Scott and his party on their return from the South Pole in 1912. In addition to writing The Lost Photographs of Captain Scott (2011), he has produced several books in support of our polar heritage: Cheltenham in Antarctica: the Life of Edward Wilson (2000); Discovery Illustrated: Pictures from Captain Scott's First Antarctic Expedition, (2001) The Songs of the 'Morning': a musical sketch, (cd 2002) Edward Wilson's Nature Notebooks (2004) Nimrod Illustrated: Pictures from Lieutenant Shackleton's British Antarctic Expedition (2009) Edward Wilson's Antarctic Notebooks (2011)
Review :
Book Review Anyone interested in Antarctica will be totally fascinated by this little book on Edward Wilson. Written by his great-nephew, it is the first biography to be published in over 50 years and includes previously unpublished family photos as well as beautiful reproductions of several of Wilson's paintings. Drawing on family archives, it reveals how this extraordinarily brave and compassionate man came to be Captain Scott's closest friend and one of the truly great names in the history of Antarctica. It includes fresh information on his early life and family background as well as publishing in full for the first time his last poignant letter to his wife as he and Scott lay dying on the Great Ice Barrier on their return from the South Pole. Readers interested in visiting sites around Cheltenham connected with him can follow a series of walks described at the back of the book.
