About the Book
From the Diggers seizing St. George Hill in 1649 to Hacktivists staging virtual sit-ins in the 21st century, from the retributive fantasies of Robin Hoods to those of gangsta rappers, culture has long been used as a political weapon.
This expansive and carefully crafted reader brings together many of the classic texts that help to define culture as a tool of resistance. With concise, illuminating introductions throughout, it presents a range of theoretical and historical writings that have influenced contemporary debate, and includes a number of new activist authors published here for the first time.
Cultural Resistance Reader is both an invaluable scholarly resource and a tool for political activists. But most importantly it will inspire everyday readers to resist.
About the Author :
Stephen Duncombe, an Associate Professor at the Gallatin School of New York University, is the author of Dream and Notes from Underground, editor of the Cultural Resistance Reader, and coeditor (with Maxwell Tremblay) of White Riot. Adolph L. Reed, Jr. is a political scientist at the University of Pennsylvania. He is author of Class Notes, The Jesse Jackson Phenomenon, W. E. B. DuBois and American Political Thought, and Stirrings in the Jug. He has written articles for the Progressive, Black Agenda and many other publications. Politically active since the 1960s, he brings a wealth of experience and expertise to the debates around Barack Obama, and wider issues concerning both black and progressive politics. Andrew Boyd is a writer and activist living in New York. He is the author of Life's Little Deconstruction Book: Self-Help for the Post-Hip Bertolt Brecht (1898-1956) was a German poet, playwright, and theater director. An influential theater practitioner of the 20th century, Brecht made equally significant contributions to dramaturgy and theatrical production, the latter particularly through the seismic impact of the tours undertaken by the Berliner Ensemble-the post-war theater company operated by Brecht and his wife and long-time collaborator, the actress Helene Weigel-with its internationally acclaimed productions. Christopher Hill (1912-2003) was educated at Balliol College, Oxford, and later became Master of the college. His celebrated and influential works include Intellectual Origins of the English Revolution, The World Turned Upside Down and A Turbulent, Seditious and Fractious People: John Bunyan and His Church. A Fellow of the British Academy and the American Academy of Arts and Sciences, Eric Hobsbawm is the author of more than twenty books of history, including The Age of Revolution and The Age of Extremes. He lives in London. Frederick Engels was born in 1820, in the German city of Barmen. Brought up as a devout Calvinist he moved to England in 1842 to work in his father's Manchester textile firm. After joining the fight against the counter revolution in Germany in 1848 he returned to Manchester and the family business, finally settling there in 1850. In subsequent years he provided financial support for Marx and edited the second and third volumes of Capital. He died whilst working on the fourth volume in 1895. George Lipsitz is Professor of Black Studies at the University of California, San Diego. He is the author of Midnight: Life and Labor in the 1940s, Time Passages: Collective Memory and American Popular Culture, The Sidewalks of St Louis and A Life in Struggle: Ivor Perry and the Culture of Opposition, which was the winner of the Eugene M. Kayden Press Book Award and the Anisfield-Wolf Book Award in Race Relations. Jean Baudrillard (1929-2007) began teaching sociology at the Université de Paris-X in 1966. He retired from academia in 1987 to write books and travel until his death in 2007. His many works include Simulations and Simulacra, America, The Perfect Crime, The System of Objects, Passwords, The Transparency of Evil, The Spirit of Terrorism, and Fragments, among others. Karl Marx was born in 1818, in the Rhenish city of Trier, the son of a successful lawyer. He studied law and philosophy at the universities of Bonn and Berlin, completing his doctorate in 1841. In Paris three years later, Marx was introduced to the study of political economy by a former fellow student, Frederick Engels. In 1848 they collaborated in writing The Communist Manifesto. Expelled from Prussia in the same year, Marx took up residence first in Paris and then in London where, in 1867 he published his magnum opus Capital. A co-founder of the International Workingmen's Association in 1864, Marx died in London in 1883. Raymond Williams (1921-1988) was for many years Professor of Drama at the University of Cambridge. Among his many books are Culture and Society, Culture and Materialism, Politics and Letters, Problems in Materialism and Culture, and several novels. Robin D.G. Kelley is Professor of American Studies and Ethnicity and History at the University of South California. Stuart Hall was born in Kingston, Jamaica and educated at Oxford University. A pioneering cultural theorist, campaigner, and founding editor of the New Left Review, Hall was one of the most influential and adventurous thinkers of the last half century. He was Director of the University of Birmingham's Centre for Contemporary Cultural Studies from 1972, and from 1979 was Professor of Sociology at the Open University. His published work includes The Popular Arts (1964), the co-authored volume Policing the Crisis (1978), The Hard Road to Renewal: Thatcherism and the Crisis of the Left (1988), and his posthumous memoir Familiar Stranger (2017). Theodor Adorno was director of the Institute for Social Research at the University of Frankfurt from 1959 until his death in 1969. His works include In Search of Wagner; Aesthetic Theory; Negative Dialectics; and (with Max Horkheimer) Dialectic of Enlightenment and Towards a New Manifesto. Walter Benjamin was a German-Jewish Marxist literary critic, essayist, translator, and philosopher. He was at times associated with the Frankfurt School of critical theory and is the author of Illuminations, The Arcades Project, and The Origin of German Tragic Drama.
