Look Clare, Look!

Look, Clare! Look! is the story of a year. When Clare Pollard set off on a six-month world trip, she wanted to write a long poem which engaged with what she saw and felt during her travels. On her return, she discovered that her father was seriously ill, and his funeral was held on New Year's Eve. Clare Pollard's third collection is a book about journeys and home. She looks closely at both global issues and the blossom in her yard. Beginning as a meditation on western guilt against the backdrop of SARS and the Iraq War, it ends by looking at our closest relationships, in poems that deal with a pregnancy scare and her engagement, as well as illness and loss. 'Clare Pollard has so much youthful talent that it's alarming. The poems in Bedtime have all the virtues of youth. They are raw and sexy, exotic and compelling, their insights at once intimate and universal. There's a cruel precision of observation too, coupled with a real opulence, about these pieces - and the wonderful, reckless revelling in the language. I loved the headlong rush of it all' - catherine czerkawska, Mslexia 'Pollard's poems are like shards of glass, brittle, dangerous things that work their way under your skin. Her voice captures the pain, anxiety and emptiness of a generation weaned on Coke and Diamond White, reared on fast food and TV, and now entering adulthood armed with utterly ephemeral cultural reference points and a strong suit in self-destruction...Her poems compulsively re-enact the reaching out to life and the withdrawing in pain...Pollard is a poet of the 21st century, a witness of the present and a shaper of its voice' - john sears, PopMatters 'Both a seasoned observer and a master technician...like early Sylvia Plath re-interpreted for the Trainspotting generation' - Daily Mail

About the Author :
Clare Pollard was born in Bolton in 1978 and lives in London. She has published five collections with Bloodaxe: The Heavy-Petting Zoo (1998), which she wrote while still at school; Bedtime (2002); Look, Clare! Look! (2005); Changeling (2011), a Poetry Book Society Recommendation; and Incarnation (2017). Her translation Ovid's Heroines was published by Bloodaxe in 2013. Her first play The Weather (Faber, 2004) premiered at the Royal Court Theatre. She works as an editor, broadcaster and teacher. Her documentary for radio, My Male Muse (2007), was a Radio 4 Pick of the Year. She is co-editor, with James Byrne, of the anthology Voice Recognition: 21 poets for the 21st century (Bloodaxe Books, 2009), and translator (with Maxamed Xasan 'Alto' and Said Jama Hussein) of Asha Lul Mohamud Yusuf's The Sea-Migrations (Somali title: Tahriib), published by Bloodaxe Books in 2017 with The Poetry Translation Centre. In 2017 she took over the editorship of Modern Poetry in Translation. Her non-fiction book Fierce Bad Rabbits: The Tales Behind our Picture Books was published by Fig Tree in 2019.

Review :
Pollard’s poems are like shards of glass, brittle, dangerous things that work their way under your skin. Her voice captures the pain, anxiety and emptiness of a generation weaned on Coke and Diamond White, reared on fast food and TV, and now entering adulthood armed with utterly ephemeral cultural reference points and a strong suit in self-destruction…Her poems compulsively re-enact the reaching out to life and the withdrawing in pain…Pollard is a poet of the 21st century, a witness of the present and a shaper of its voice.