The Terrible

**WINNER of the 2019 PEN Ackerley Prize** 'A major literary talent . . . speaks about the power and powerlessness that young women are subject to in a wholly fresh, clear-eyed way . . . you'll find it hard to come away from The Terrible without a stab of recognition in your chest' Stylist 'You may not run away from the thing that you are because it comes and comes and comes as sure as you breathe.' This is the story of Yrsa Daley-Ward, and all the things that happened - 'even the Terrible Things (and God, there were Terrible Things)'. It's about her childhood in the north-west of England with her beautiful, careworn mother and her little brother who sees things written in the stars. It's also about growing up and discovering the power and fear of sexuality, about pitch grey days of pills and powder: going under, losing yourself, and finding your voice. 'Yrsa's work is like holding the truth in your hands' Florence Welch

About the Author :
Yrsa Daley-Ward is a writer, poet and actress of mixed Jamaican and Nigerian heritage. Since publishing her first poetry collection, the widely beloved bone, Yrsa has been in a constant state of exciting creative output, which earns her continued critical acclaim. Her follow-up book, the lyrical memoir The Terrible, garnered glowing praise and won her the prestigious PEN Ackerley Prize in 2019. Following that, she published The How, which NPR called "a hopeful work of meditation and healing" and has been taught in women's prisons around the world. Amidst all this, Yrsa continues to work and write in other areas of entertainment. In 2019, she worked closely with Beyoncé to co-write Black Is King, "a grand statement of African-diaspora pride and creative power" (NYT) and has been adapting The Terrible for screen. As an actress, she played Grace Jones in Kwei-Armah's latest feature film. She splits her time between Brooklyn, New York and London.

Review :
Elegant, daring, profound - confirms her abundant talent as a writer Beautiful and harrowing . . . Daley-Ward writes with disarming honesty A major literary talent . . . speaks about the power and powerlessness that young women are subject to in a wholly fresh, clear-eyed way . . . you'll find it hard to come away from The Terrible without a stab of recognition in your chest Daley-Ward explores the connection between raw emotion and the mechanics of language with more wildness and tenacity than ever A rare combination of literary brilliance, originality of voice and a narrative that commands you to keep going until you've reached the last page . . . her prose is invigorating, razor-sharp and moves at the speed of light . . . Yrsa Daley-Ward is an explosive new talent and this book should not be missed The Terrible's raw yet lilting prose draws the reader in at once. Unpredictable shifts in form and structure - from prose to poetry and script - are refreshingly disorientating. This is both a defiant book and a defiantly inventive one. Daley-Ward is a stylish writer, as well as an unusual voice . . . she has a knack for distilling wild emotions into precise imagery, for selecting insightful impressions. Daley-Ward's beautiful prose wrapped its hands around my neck - I found myself doing stupid things like walking through New York at rush hour with my nose buried in her book. The Terrible is a lyrical piece of writing that oscillates between prose and poetry . . . Daley-Ward's lines land like dandelion spores, these weightless things that are somehow simultaneously profound Daley-Ward has cooked a broth of dizzying emotions and touching moments down to a nuanced and taut account . . . there are so many flourishes of imagination and pathos here, that it's impossible not to get caught up in the torrential pace of the narrative . . .the result is one of the year's genuine must reads