Left Without A Handkerchief

On the afternoon of Wednesday, 10 January 1923, Lulu Bagwell wrote to her mother-in-law Harriet informing her the family house had been destroyed in a blaze earlier that morning. Lulu and the children had been obliged to stand shivering at gunpoint on the lawn watching the conflagration, the raiders responsible for the fire only leaving when it was too late to save Marlfield. Afterwards she discovered her handbag and all the family’s overcoats had been stolen. ‘We hadn’t even a handkerchief,’ she lamented, ‘everything has gone.’ The fate of Marlfield was not unique. It is estimated that between 250 and 300 Irish country houses were burnt in the early 1920s during the course of the War of Independence and subsequent Civil War. The reasons behind their destruction were various, but because of their scale and prominence on the Irish landscape, setting fire to them was judged by perpetrators to be good propaganda. Relatively little investigation has been undertaken into this devastation – to both property and lives. But how was it for the owners of these buildings? How did they feel when, in the course of just a few hours, they saw their worlds overturned? Hitherto historians have concentrated on the actions and motivation of those responsible for carrying out the burnings. Left Without a Handkerchief will tell the other side of the story, of history seen from the perspective of the losers, left homeless and struggling to cope, emotionally and financially. A key source for this story will be under-explored material held by the national archives of both Ireland and Britain. Correspondence back and forth, between claimants and the relevant authorities, reveal the extent of suffering experienced by those whose houses had been burnt, often shock that the local community, of which they had thought themselves part, displayed little concern in the aftermath of their devastation. These official documents will be supplemented by other material: letters, diaries, memoirs, some of it coming directly from descendants of the house owners and not previously shared inpublic. Left Without a Handkerchief will fill a gap in the national narrative, featuring the stories of ten houses and their owners. From Galway to Wexford, Mayo to Cork, it will give a voice to the dispossessed, to the people who thought they had a place in Ireland until, usually in the course of a single night, they were disabused of this belief. As the centenary of the onset of house burnings arrives, now is the time to tell their story.

About the Author :
Robert O’Byrne, a trustee of the Apollo Foundation and the Artists’ Collecting Society, is author of more than a dozen books. These include The Last Knight: A Tribute to Desmond FitzGerald, 29th Knight of Glin (2013) and Hugh Lane 1875–1915 (2000, 2018). He writes an award-winning blog, ‘The Irish Aesthete’.

Review :
'O’Byrne has a Marquezian sensitivity for weaving together the lineaments of a family’s successes and crises into one compelling account: his dry, sometimes laconic style eloquently captures the passage of generations, providing just enough room for the reader to catch a glimpse of each individual’s ferocious vitality before closing the window and moving on. The effect is highly entertaining, and as the Spiddal episode illustrates, these short narratives give the reader an unusual insight into the incipient years of the Republic.'  Tom Lordan, Irish Times 'Robert O’Byrne offers a fascinating glimpse into a bygone era of gilded splendour ... A thoroughly engaging romp through this vanished society and its grand spaces, Left Without a Handkerchief is the perfect primer for any lay student of the Protestant ascendancy as told through the prism of ten of its septs and their many larger-than-life characters.' Dónal Nolan, The Kerryman 'It makes for a fascinating—and often poignant—read.' Country Life '[O'Byrne] has done extensive research and, in so doing, has added considerably to an understanding of an important aspect of Irish history.' John Kirkaldy, Books Ireland 'Erudite, elegant and elegiac ... This beautifully-written book with atmospheric photographs locates the destruction of these ten houses within the context of the families and individuals who constructed them, lived in them, and ultimately had to leave them ... [O'Byrne] has not only dug deep into public archives, but also has had valuable access to the private papers of many of the featured families.' Dr Ian d'Alton, The Irish Catholic '[An] evocative collection of case histories' ... an arresting new perspective on a class and culture at the point of its extinction.' Roy Foster, The New Statesman 'an eye-opener, a chronicle of the suffering behind the senseless destruction, and a solemn reminder of how bad things really were.' Anne Cunningham, Meath Chronicle