Creative Radicalism in the Middle East: Culture and the Arab Left After the Uprisings(Written Culture and Identity)

Addressing the question of how neoliberal ideology has served to conflate the radical left with extremism, this book examines how the Arab left has asserted itself in the context of authoritarianism and Islamic extremism during and after the Arab uprisings. It examines how the Arab cultural left has offered a critique of the signifying practices of political hegemonies in the region and argues that though creative expression as constituted in the very language of the Arab uprisings, it has put forward its own alternatives Using a wide array of texts and sources, both Arab and non-Arab, the opening chapters of the book identify how ethical and radical values pertaining to sociality are co-opted by political leaders in the Middle East and turned into jargon. Later chapters outline resistance to this co-option through a poetics of inter-subjectivity that takes structures of feeling into account, ranging from disappointment, despair and distrust, to dignity, solidarity and reconfigured senses of the sacred. In showing how psychological and affective states relate to signifying practices, the book offers an original conceptual framework for differentiating 'radicalization' from the creative radicalism of the Arab avant-garde.

Table of Contents:
1. Introduction: From Radical Distrust to the Arab Avant-Garde. 2. Politics as Theatre in Hannah Arendt's The Human Condition. 3. Discourses of Authenticity and Poetic Good Faith: Algeria, Israel, and Syria. 4. From Hegemonic Interpellations to Revolutionary Signs, e.g. Egypt. 5. Chronic Disappointment and Humiliation in the Arab Novel. 6. Cults of Pride and the Cultural Expression of Right Wing Populism. 7. Karama or Why the Egyptian Revolution Was a Poem. 8. Figurations of the Sacred in Martyr Art and Equine Messianism.

About the Author :
Caroline Rooney is Professor of African and Middle Eastern Studies at the University of Kent. From 2009-2016, she held Global Uncertainties Fellowships (AHRC/ESRC) with research programmes that explore the differences between radicalism and extremism through the arts and popular culture. Her work engages with contemporary arts activism both critically and creatively, ranging from scholarly research to theatre production, filmmaking and the curating of exhibitions.