Migration, Dislocation and Movement on Screen
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Home > Art, Film & Photography > General > Performing arts > Films, cinema > Film history, theory or criticism > Migration, Dislocation and Movement on Screen
Migration, Dislocation and Movement on Screen

Migration, Dislocation and Movement on Screen


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About the Book

Contemporary screen industries such as film and television have become primary sites for visualizing borders, migration, maps, and travel as processes of separation and dislocation, but also connection. Migration, Dislocation and Movement on Screen pulls case studies in film and television industries from throughout Europe, North Africa, and Asia to interrogate the nature of movement via moving images. By combining theoretical, interdisciplinary engagements with empirical research, this volume offers a new way to look at screen media's representations of our contemporary world's transnational and cosmopolitan imaginaries.



Table of Contents:

Acknowledgements

Introduction
Ruxandra Trandafoiu

Part I: Migration

Chapter 1. Houses in Motion: The Reimagining of Time and Space as Anomalous in Representations of Mobility
Chris Campanioni

Chapter 2. Hybridity in Mission London: Challenging the Othering Discourse
Antonina Anisimovich

Chapter 3. Just Like Us: Migration and the ‘Prosthetic Western’ in Contemporary German Cinema
Owen Evans

Chapter 4. Melodrama, Realism, and Internal Migration: Cinematic Representation of Internal Migration in Turkey (1964-1990)
Ali H. Kocatürk

Part II: Dislocation

Chapter 5. No Man’s Land: Rafi Pitts’ Soy Nero Tells Us What It Means to Be Constantly Confronted with Borders
Andreas Hudelist

Chapter 6. Bollywood, Mobility and Partition Politics: Representation of Displaced Muslims in Films on Indo-Pak Partition
Sony Jalarajan Raj and Rohini Sreekumar

Chapter 7. Frames, Stereotypes and Authorial Politics: The Transits and Landings of Migrants in Italian Cinema
Gaia Peruzzi, Marco Bruno and Alessandra Massa

Chapter 8. ‘I am not here to just be en vogue’: Talking About the Politics of Dislocated Filmmaking, the Clarity of the ‘Third Eye’ and Having a Place in Your Country’s Film Memory with Egyptian-British Director Khaled El Hagar
Ruxandra Trandafoiu and Roger Shannon

Postscript

Interview Transcripts with Egyptian-British Filmmaker Khaled El Hagar
Conducted by Roger Shannon

Index



About the Author :
Ruxandra Trandafoiu is Professor of Media and Communications at Edge Hill University. She is the author of Diaspora Online: Identity Politics and Romanian Migrants (Berghahn Books, 2013) and The Politics of Migration and Diaspora in Eastern Europe: Media, Public Discourse and Policy (Routledge, 2022), as well as several edited collections and numerous articles exploring the relationship between media and migration.


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Product Details
  • ISBN-13: 9781805395959
  • Publisher: Berghahn Books
  • Publisher Imprint: Berghahn Books
  • Language: English
  • ISBN-10: 1805395955
  • Publisher Date: 01 Jul 2024
  • Binding: Digital download and online
  • No of Pages: 208


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