From Photography to 3D Models and Beyond: Visualizations in Archaeology

From Photography to 3D Models and Beyond: visualizations in archaeology explores the history of visual technology and archaeology and outlines how the introduction of interactive 3D computer modelling to the discipline parallels very closely the earlier integration of photography into archaeological fieldwork. The incredible potential of interactive 3D computer graphics to provide new insight into cultural change, ancient settlement development, building function, and behavior make virtual heritage a must-use approach, but one that has not been fully grasped. This volume brings together for the first time several key aspects of the history of archaeology: how and where photographs became an indispensable part of excavations; when and for what purposes virtual reality began a similar journey into the field team’s arsenal of documentation, publication, and visualization tools; how the common trajectory of both technologies provides clues for why virtual reality has not yet become as commonplace as photography for archaeological research, teaching, and data dissemination; and how new methods and technologies are poised to revolutionize our understanding of the past.

Table of Contents:
Preface   Introduction Chapter 1. How Archaeologists Learn About the Past Excavation. One way we learn about the past Site Visits. A second way we learn about the past Data Dissemination. A third way we learn about the past Summary   Chapter 2. A Brief History of Architectural Depictions Introduction Development of Architectural / Archaeological Illustrations Conclusion   Chapter 3. A History of Photography for Excavations The 1830s and 1840s The 1850s The 1860s The Late 19th Century The 20th Century Conclusion   Chapter 4. History of Interactive 3D Computer Modeling in Archaeology Introduction The Emergence of 3D Computer Graphics The 1980s The 1990s and the Emergence of Virtual Heritage Into the Third Millennium Summary History of 3D Modeling in Archaeology Parallels Between Photography in Archaeology and 3D Modeling in Archaeology Conclusion   Chapter 5. When New Technology Replaces Old Technology Introduction Historical Examples Photography and Interactive Computer Graphics Conclusion   Chapter 6. One Future of Archaeology Introduction An Historical Summary One Future for Archaeology. Building the multipast Putting It All Together Some Closing Thoughts Postscript   Bibliography   Index

About the Author :
Donald H. Sanders is trained and educated as an archaeologist, architectural historian, and architect. He helped pioneer the discipline of virtual heritage in the early 1990s and continues to innovate in the field. His special interest is the application of nontraditional methods (including interactive 3D computer graphics and behavioral science techniques) to the study and visualization of the past, pushing the boundaries of conventional archaeological interpretation. He founded Learning Sites, Inc., in 1996, and the Institute for the Visualization of History, Inc., in 2001, to actualize these innovations by creating virtual reconstructions of the ancient world for museums, schools, scholars, and broadcast media. He has been an invited keynote speaker at venues around the world; and publications by him or about his companies have appeared in journals, newspapers, books, and magazines in over a dozen countries. Sanders is the Tartessos Prize winner in virtual heritage for 2015 and Corporate Vision Executive Award winner for 2016.

Review :
'This publication would work well both as an introduction and as a reference tool for specialists who want to explore history and current trends of visualization in archaeology. Despite the absence of any mention of free software applications, the volume could also work as a manual for university classes...' – Alessandro Di Ludovico (2024): Bryn Mawr Classical Review 'Overall, Sanders is an effective advocate for the future of digital heritage and uses this book to contextualize the evolution of virtual approaches and what they can offer the discipline. His writing style is clear, and though there are times when he over-summarizes his work, this will be useful for those who only plan to read parts of the monograph.' - David M. Wheeler (2025), Rhea Classical Review