Harmony Notes: Book 2, is a natural follow on from Harmony Notes: Book 1. The vocabulary is expanded to encompass dissonant decoration, modulation, secondary 7ths and an exploration of Classical chromatic harmony. Clear uncomplicated explanations of each topic accompanied by aural examples are central to the conception and design. At every stage the aim is to foster a musical understanding and encourage a holistic approach - emphasising the necessary link between sound and symbol.
The material is explored throughout seventeen chapters and includes exercises to assist with the learning, absorption and application of the topic at hand.
'Lightbulb' moments flag essential grammatical points, while 'checklist' and 'summary' boxes provide a useful revision tool. All audio examples are indicated by interactive 'headphone' logos.
Although Harmony Notes deals primarily with vocal writing, the scope of the book expands to include simple analysis exploring the application of the harmony in a variety of other textures.
A creative and musical approach is always encouraged associating the sound with the symbol at every stage of the learning.
Resources to supplement Harmony Notes: Book 2
The musical examples in the main body of the book are interactive, intended to be listened to while studying the various topics. In addition, all exercises are available as separate downloads for ease of working.
- Chapters:
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4 (Analysis)
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10 (Analysis)
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17 (Analysis)
- Audios:
- Audio 1.1
- Audio 1.2
- Audio 1.3
- Audio 1.4
- Audio 1.5
- Audio 1.6
- Audio 1.7
- Audio 1.8
- Audio 1.9
- Audio 1.10
- Audio 1.11
- Audio 1.12
- Audio 1.13
- Audio 1.14
- Audio 1.15
- Audio 1.16
- Audio 1.17
- Audio 1.18
- Audio 2.1
- Audio 2.2
- Audio 2.3
- Audio 2.4
- Audio 2.5
- Audio 2.6
- Audio 2.7
- Audio 2.8
- Audio 3.1
- Audio 3.2
- Audio 3.3
- Audio 3.4
- Audio 3.5
- Audio 3.6
- Audio 3.7
- Audio 3.8
- Audio 3.9
- Audio 3.10
- Audio 3.11
- Audio 3.12
- Audio 3.13
- Audio 4.1 bach goldberg
- Audio 4.2a
- Audio 4.2b
- Audio 4.2c
- Audio 4.3 Haydn
- Audio 4.4a
- Audio 4.4b
- Audio 4.4c
- Audio 4.5 Mozart
- Audio 4.6 Beethoven
- Audio 4.7a
- Audio 4.7b
- Audio 4.7c
- Audio 5.1 Schumann
- Audio 5.2
- Audio 5.3 Schumann Hunting song
- Audio 5.4
- Audio 5.5
- Audio 5.6
- Audio 5.7
- Audio 5.8
- Audio 5.9
- Audio 5.10
- Audio 5.11
- Audio 6.1
- Audio 6.2
- Audio 6.3
- Audio 6.4
- Audio 6.5
- Audio 6.6 Schumann _Stranger_
- Audio 6.7
- Audio 6.8
- Audio 7.1
- Audio 7.2
- Audio 7.3
- Audio 7.4
- Audio 8.1
- Audio 8.2
- Audio 8.3
- Audio 8.4
- Audio 8.5
- Audio 9.1
- Audio 9.2
- Audio 9.3
- Audio 9.4
- Audio 9.5
- Audio 9.6
- Audio 9.7
- Audio 9.8
- Audio 9.9
- Audio 10.1 Bach
- Audio 10.2
- Audio 10.3
- Audio 10.4
- Audio 10.5 mendelssohn
- Audio 10.6
- Audio 10.7 Mozart
- Audio 10.8 Schubert
- Audio 10.9
- Audio 10.10 Diabelli
- Audio 10.11 Beeth SQ
- Audio 11.1
- Audio 11.2
- Audio 11.3
- Audio 11.4
- Audio 11.5
- Audio 11.6
- Audio 11.7
- Audio 11.8
- Audio 11.9
- Audio 11.10
- Audio 11.11
- Audio 11.12 Caccini
- Audio 11.13
- Audio 11.14
- Audio 11.15
- Audio 12.1
- Audio 12.2
- Audio 12.3
- Audio 12.4
- Audio 12.5
- Audio 12.6
- Audio 12.7
- Audio 13.1
- Audio 13.2
- Audio 13.3
- Audio 13.4
- Audio 13.5
- Audio 13.6
- Audio 13.7
- Audio 13.8
- Audio 13.9
- Audio 13.10
- Audio 13.11
- Audio 13.12
- Audio 13.13
- Audio 13.14
- Audio 13.15
- Audio 13.16
- Audio 13.17
- Audio 13.18
- Audio 13.19
- Audio 13.20
- Audio 13.21
- Audio 14.1
- Audio 14.2
- Audio 14.3
- Audio 14.4a
- Audio 14.4b
- Audio 14.5
- Audio 14.6
- Audio 14.7
- Audio 14.8
- Audio 14.9
- Audio 14.10
- Audio 14.11
- Audio 14.12
- Audio 14.13
- Audio 14.14
- Audio 14.15
- Audio 14.16
- Audio 14.17
- Audio 14.18
- Audio 14.19
- Audio 14.20
- Audio 14.21
- Audio 14.22
- Audio 14.23
- Audio 15.1a
- Audio 15.1b NEW
- Audio 15.1b
- Audio 15.2
- Audio 15.3
- Audio 15.4
- Audio 15.5
- Audio 15.6 a
- Audio 15.6 b
- Audio 15.6 c
- Audio 15.7 a
- Audio 15.7 b
- Audio 16.1
- Audio 16.2
- Audio 16.3
- Audio 16.4
- Audio 16.5
- Audio 16.6
- Audio 16.7
- Audio 16.8
- Audio 16.9
- Audio 16.10
- Audio 16.11
- Audio 16.12
- Audio 16.13a
- Audio 16.13b
- Audio 16.13c
- Audio 16.14
- Audio 16.15
Table of Contents:
Contents: Suspensions – Accented Passing Notes – Melodic Minor Harmonisation – Harmonic Analysis 1 – Modulation Part 1 - Dominant and Relative (major keys) – Modulation Part 2 - Dominant and Relative (minor keys) – Modulation Part 3 – Transition – Modulation Part 4 – Pivot, Transition, Home key – Modulation Part 5 – Expanding the Range of Keys – Harmonic Analysis 2 – Diatonic Sequence and Some Secondary 7th Chords – More Secondary 7th Chords – Chromaticism – an Introduction - Secondary Dominants – Chromatic Melodic Decoration – Further Chromatic Chords Part 1- Neapolitan 6th – Further Chromatic Chords Part 2 - Augmented 6th – Harmonic Analysis 3.
About the Author :
Jean Archibald MusDip UCD, LRAM, ARCM studied music at University College Dublin and the Royal Irish Academy of Music. She has been a longstanding member of the Musicianship Faculty at the Royal Irish Academy of Music; teaching junior musicianship and lecturing in harmony and counterpoint, keyboard harmony and aural training on third-level degree programmes.
Marie Moran BA Mod, LRIAM, LGSM, LTCL studied Music at Trinity College Dublin and the Royal Irish Academy of Music. Her musical journey has been shaped by her teaching in both institutions. She has been a key member of the RIAM Musicianship Faculty since 1986, lecturing in music theory, orchestration, harmony and counterpoint, analysis, keyboard harmony and aural training. As Head of the RIAM Musicianship Faculty over many years she played a vital role in the initiation and development of various third-level degree programmes. She has held the position of Head of Academic Studies from 2018–2022.
