Disorders at the Borders
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Home > Art, Film & Photography > Art treatments & subjects > Individual artists, art monographs > Disorders at the Borders: In Search of the Gesamtkunstwerk in the Paintings of Anselm Kiefer(9 German Visual Culture)
Disorders at the Borders: In Search of the Gesamtkunstwerk in the Paintings of Anselm Kiefer(9 German Visual Culture)

Disorders at the Borders: In Search of the Gesamtkunstwerk in the Paintings of Anselm Kiefer(9 German Visual Culture)


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About the Book

Although Anselm Kiefer’s work is routinely compared with the Gesamtkunstwerk, the «total work of art» pioneered by Richard Wagner, Disorders at the Borders represents the first time this relationship has been thoroughly investigated. But it is a relationship that involves much more than just aesthetics. Furthermore, it is a highly ambivalent one. The Gesamtkunstwerk was an embodiment of a certain view of nationhood, and nationhood is a concept that Kiefer has spent much of his career rendering thoroughly problematic. But Wagner’s innovative, inclusive art form was intended above all as a counter to the individualism that the composer was far from alone in identifying as the besetting sin of modernity, and that was widely thought at the time to be most evident in America. It can thus be contextualized within the long German tradition of counter-Americanism – as, to a large extent, can Kiefer. For whilst he owes his spectacular success in no small degree to the positive reception of his work in America, he has throughout his career displayed a resistance to the artistic influence of that country. Moreover, he and Wagner take a mutual stance regarding a series of questions: can art be separated from society, or the individual arts from each other? Is painting purely visual, and music purely sonic? Do things, in short, ever really exist or operate in isolation? That they answer in the negative to all of these is what, ultimately, connects Kiefer with Wagner.

Table of Contents:
Contents: What Was the Gesamtkunstwerk? – Anselm Kiefer, History Painter – Zum Raum wird hier die Zeit: Synthesis, Purity and Synesthesia – Homo Europaeus: Wagner, Kiefer and Counter- Americanism – «The Whole Is the False»: The Gesamtkunstwerk, Kiefer and Theodor Adorno’s «Negative Dialectics» – Appendix: «Opera and Drama».

About the Author :
Matt Wates holds a PhD in History of Art from Bristol University, where he is currently a lecturer. He previously worked as a professional musician for thirty years and his research reflects his joint interest in music and the history of art.


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Product Details
  • ISBN-13: 9781800791794
  • Publisher: Peter Lang International Academic Publishers
  • Publisher Imprint: Peter Lang International Academic Publishers
  • Edition: New edition
  • Language: English
  • Returnable: N
  • Sub Title: In Search of the Gesamtkunstwerk in the Paintings of Anselm Kiefer
  • Width: 152 mm
  • ISBN-10: 1800791798
  • Publisher Date: 26 Aug 2021
  • Binding: Hardback
  • Height: 229 mm
  • No of Pages: 310
  • Series Title: 9 German Visual Culture
  • Weight: 648 gr


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