Citizen Poet: New and Selected Essays

At her death in 2020, Eavan Boland left a formidable body of work – poems and prose. Together they transformed Irish poetry and had a considerable influence throughout the English-speaking world. She was also a major essayist, whose potent non-fiction work challenged and changed Irish culture and society. This collection of her most important essays combines autobiographical and critical reflections on the events and influences that shaped her life and work. It includes work never before collected, as well as draft chapters of the memoir Daughter that she was working on when she died. This wise, generous book, published on what would have been Eavan Boland's 80th birthday, tells the intertwined stories of her life and her writing, her work as a writer who was also a mother and a daughter, her sense of Ireland and exile, and her evolving insights into how the poet can earn, widen and share her freedoms. 'As time went on,' Jody Allen Randolph writes, 'Boland's prose grew clearer in focus and purpose; she argued that a poet's work is not just to write their poems, but also to contribute to the critique by which they will eventually be judged.'

About the Author :
Born in Dublin in 1944, Eavan Boland studied in Ireland, London and New York. Her first book was published in 1967. She taught at Trinity College, University College Dublin, Bowdoin College in Maine, and at the University of Iowa. She was Mabury Knapp Professor in the Humanities at Stanford University, California. A pioneering figure in Irish poetry, Boland's works include The Historians (2020), which won the Costa Poetry Award 2020 and was a 2020 Book of the Year in the TLS, Guardian, Sunday Independent and Irish Times, The Journey and other poems (1987), Night Feed (1982), The Lost Land (1998) and Code (2001). Her poems and essays appeared in magazines such as The New Yorker, The Atlantic, Kenyon Review and American Poetry Review. She was a regular reviewer for the Irish Times. She divided her time between California and Dublin where she lived with her husband, the novelist Kevin Casey. Eavan died in Dublin on 27th April 2020. Jody Allen Randolph was a Mellon Fellow in the Humanities at University College Dublin before earning her doctorate in British and American Literature from the University of California at Santa Barbara. She served as Assistant Dean of the British Studies at Oxford Programme at St. John's College, Oxford and has taught at the University of California at Santa Barbara, University College Dublin, and Westmont College in Santa Barbara. Her research and teaching specialities lie in twentieth-century and contemporary poetry, Irish literature and Anglophone poetry. Her essays and interviews have appeared regularly on both sides of the Atlantic. Heather Clark earned her bachelor’s degree in English Literature from Harvard University and her doctorate in English from Oxford University. Her awards include the Truman Capote Award for Literary Criticism; the Slightly Foxed Prize for Best First Biography; a National Endowment for the Humanities Public Scholar Fellowship; a Leon Levy Biography Fellowship at the City University of New York; and a Visiting U.S. Fellowship at the Eccles Centre for American Studies, British Library. A former Visiting Scholar at the Oxford Centre for Life-Writing, she is the author of Red Comet: The Short Life and Blazing Art of Sylvia Plath, The Grief of Influence: Sylvia Plath and Ted Hughes and The Ulster Renaissance: Poetry in Belfast 1962-1972. Red Comet was a finalist for the Pulitzer Prize, the National Book Critics Circle Award, and the LA Times Book Prize in Biography, and was a New York Times Top Ten Book of 2021. Her work has appeared in publications including The New York Times, Harvard Review, Time, Air Mail, Lit Hub, and The Times Literary Supplement.

Review :
'Boland's essays remind us [...] of the change she helped bring about, which is nothing less than the redefinition and expansion of what Irish poetry – what any poetry – can be.' Heather Clark 'Eavan Boland's essays are the work of an ever-generous, insightful and knowing cartographer. No one articulates the complexities, challenges and nuances of being an Irish female poet like she does in these original, arresting and trailblazing essays. Citizen Poet is a must-read for anyone interested in poetry, identity and the responsibilities of the artist.' Victoria Kennefick '[Citizen Poet] is wide-ranging, thrillingly combative, and evidence of an ambitious commitment to broadening poetry's scope of possibility -- and, in doing so, remaking its past. ... If poetry, especially Irish poetry, has become less lonely than it was when Boland first encountered it, that's thanks in no small part to her lifelong work.' Declan Ryan, The Telegraph