The Illuminated Window: Stories across Time

A beautifully illustrated guide to the diverse traditions of stained glass art throughout history. The Illuminated Window is a unique journey through stained-glass installations across history. From the twelfth to the twenty-first centuries, we find in windows stories of conflict, commemoration, devotion, and celebration. Virginia Chieffo Raguin is our guide through the cathedrals of Chartres, Canterbury, and Cologne as well as Paris's Sainte-Chapelle, Swiss guildhalls, Iran's Pink Mosque, Harvard Memorial Hall, Tiffany's chapel for the World Exposition, Frank Lloyd Wright's houses, and more. In her telling, stained glass relies on more than a single maker but on the relationship between the physical site, the patron's aims, the work's legibility for the spectator, and the prevailing style of the era. This is a fascinating and beautifully illustrated volume for anyone interested in stained-glass works. 'Renowned scholar Raguin brings the insights of her long career in stained glass studies to bear on a fascinating selection of iconic case studies. She applies the rigor and erudition honed over many decades in the service of the Corpus Vitrearum to a range of glazing schemes spanning from the twelfth to the twenty-first centuries. The book demonstrates admirably that stained-glass programs of all periods and contexts can yield up their secrets to expert art historical inquiry.' - Sarah Brown, University of York 'A delight for the eye and the mind. Through gorgeous color photographs and vivid analysis, Raguin demonstrates the importance of stained glass as art, as narrative, and as a feature of ambitious sacred and secular buildings from the Middle Ages to the present.' - Dell Upton, University of California, Los Angeles 'Raguin's insightful analysis sheds much-needed light on the creation of site-specific decorative work in glass from the Middle Ages to the twenty-first century. She highlights the often-overlooked relationships between stained glass and other media, including illuminated manuscripts, oil paintings, illustrated books, and prints, a range of resources yielding a complex development process that transcended national borders.' - Jennifer Tonkovich, Curator of Drawings and Prints at the Morgan Library & Museum, New York

Table of Contents:
Introduction: Patrons and Process 1. Canterbury: A Martyr's Tomb and its Cathedral 2. Chartres: An Iconic Gothic Programme 3. Sainte-Chapelle, Paris: Propaganda for the Monarch 4. Cologne Cathedral: A Building Over Time 5. All Saints, North Street, York: Instructing a Parish 6. Fairford Parish Church, Fairford, Gloucestershire: Surviving Iconoclasm 7. Renaissance Donors in Switzerland: An Art of Exchange 8. Renaissance Roundels: The Transformation of European Image Making 9. Harvard University's Memorial Hall: Honouring the Dead, the Nation and Art 10. The Tiffany Chapel: World's Columbian Exposition 11. The Light Screens of Frank Lloyd Wright 12. The Spirituality of Abstraction References Further Reading Acknowledgements Photo Acknowledgements Index

About the Author :
Virginia Chieffo Raguin is distinguished professor of humanities emeritus at the College of the Holy Cross, Massachusetts. She is the author of Stained Glass: From Its Origins to the Present.

Review :
In Virginia Chieffo Raguin’s The Illuminated Window . . . rather than present an encyclopaedic look at stained glass through the ages, she focuses on examples from churches to universities and domestic settings, and from Gothic designs, through the Renaissance, to the work of contemporary artists . . . The chapters themselves are as varied as their subjects. Stained glass likes an epic theme . . . The Illuminated Window, a new, exhaustively detailed and comprehensively illustrated book by Virginia Chieffo Raguin, guides the reader through these grand projects. Virginia Chieffo Raguin’s ambition in The Illuminated Window is impressive . . . the pictures are plentiful, but Cheiffo Raguin also explains the materials, processes and techniques of using glass for decoration. Her command of her subject is extraordinary and conveyed in a pleasingly accessible way . . . [a] handsome volume. Renowned scholar Professor Virginia Chieffo Raguin brings the insights of her long career in stained glass studies to bear on a fascinating selection of iconic case studies. She applies the rigour and erudition honed over many decades in the service of the Corpus Vitrearum to a range of glazing schemes spanning from the twelfth to the twenty-first centuries. The book demonstrates admirably that stained-glass programmes of all periods and contexts can yield up their secrets to expert art historical enquiry. The Illuminated Window is a delight for the eye and the mind. Through gorgeous color photographs and vivid analysis, Virginia Raguin demonstrates the importance of stained glass as art, as narrative, and as a feature of ambitious sacred and secular buildings from the Middle Ages to the present. Virginia Chieffo Raguin’s insightful analysis sheds much-needed light on the creation of site-specific decorative work in glass from the Middle Ages to the twenty-first century. She highlights the often-overlooked relationships between stained glass and other media, including illuminated manuscripts, oil paintings, illustrated books, and prints, a range of resources yielding a complex development process that transcended national borders. Informed, inspired and highly imaginative . . . Beautifully presented . . . this book surely sets the bar in relation to is subject matter.