About the Book
In the spring and summer of 1973, a wave of martial arts movies from Hong Kong - epitomized by Bruce Lee's Enter the Dragon - smashed box-office records for foreign-language films in America, and ignited a 'kung fu craze' that swept the world. Fighting without Fighting explores this dramatic phenomenon, and argues that, more than just a cinematic fad, the West's sudden fascination with - and moral panic about - the Asian fighting arts has left lasting legacies into the present.
The book traces the background of the craze in the longer development of Hong Kong's martial arts cinema. It discusses the key films in detail, as well as their popular reception and the debates they ignited, where kung fu challenged Western identities and raised anxieties about violence, both on and off screen. And it examines the proliferation of ideas and images from these films in fields as diverse as popular music, superhero franchises, children's cartoons and contemporary art. Illuminating and accessible, Fighting without Fighting draws a vivid bridge between East and West.
'An expert and ambitious narrative that spirals outwards from the advent of Kung Fu in '70s Hong Kong and Hollywood to encompass a wide historical, geographic and ideological scope in which Bruce Lee is a persistent presence, and has the last word.' - Barry Curtis, Professor at the University of the Arts, London and author of Dark Places: The Haunted House in Film
About the Author :
Luke White is Senior Lecturer in Visual Culture and Fine Art at Middlesex University, London, and his books include Legacies of the Drunken Master: Politics of the Body in Hong Kong Kung Fu Comedy Films (2020).
Review :
"While Kung Fu or martial arts films are a genre with a long history in China, it was only after the 1970s that Chinese kung fu films became a real sensation in the West. White's book, Fighting Without Fighting focuses on this phenomenon and provides insight on the spread and influence of kung fu films in the West. . . . Collating the history of Chinese kung fu cinema, the book imaginatively links kung fu to topics such as orientalism, the black movement, feminism, whiteness, and the Vietnam war, revealing the shifting meanings and influences of kung fu cinema worldwide."-- "Historical Journal of Film, Radio and Television"
"As White makes plain in this solemn but spirited Fighting without Fighting, the Kung Fu craze owed far more to countercultural revolt than to oriental caroling. Lee was a by-product of one of the essential 1960s fantasies--the ponderous belief in the innate superiority of all things eastern."-- "Spectator"
"Fans and scholars alike will relish White's remarkable exploration of kung fu cinema's explosive rise in the 'West' and its ongoing influence in international culture. Fighting without Fighting is the definitive book on the subject."--Matthew Polly, bestselling author of "American Shaolin, "Tapped Out," and "Bruce Lee: A Life"
"For anyone interested in the history and issues raised by the spread and development of East Asian martial arts on international screens, Fighting without Fighting: Kung Fu Cinema's Journey to the West is the place to start. White gives a fast-paced and insightful account of the history of the West's relationship with East Asian martial arts and action films. In the process, he also sets out the cultural concerns and themes that have accompanied the movement, and provides valuable insight into the academic and cultural debates around them--zoning in on issues of East/West cultural encounter, ethnicity, class, and gender. This is an expansive and up-to-date overview of kung fu cinema's transnational spread and development."--Paul Bowman, professor of cultural studies, Cardiff University, author of "The Invention of Martial Arts: Popular Culture Between Asia and America"
"From the arrival of King Boxer on Western screens to the arthouse wuxia blockbuster, White traces the legacy of Chinese martial arts cinema in the West in this engaging and insightful study. Whether you're interested in Bruce Lee, the interaction between kung fu, Blaxploitation, and hip-hop, or fighting heroines such as Angela Mao Ying, this is an essential read."--Leon Hunt, senior lecturer in film and TV studies, Brunel University
"In Fighting without Fighting, White explores the origins of the 1970s 'Kung Fu Craze' in Chinese culture, the resonances of 'Eastern' and oppressed heroes and heroines, and the ways in which their spectacular bodies were dramatized in innovative cinematography. He describes their impact on feminism, Black American cultures, music, videogames, and renegotiations of masculinity, showing how an opening up to aspects of the 'Oriental' revised and enriched mid-twentieth-century sensibilities, and how revisiting them enlightens contemporary debates on decolonization. He traces influences and echoes in contemporary world cinema and speculative fictions, where the magical and mystical meet with politics of race, gender, and empowerment. This amounts to an expert and ambitious narrative that spirals outwards from the advent of Kung Fu in '70s Hong Kong and Hollywood to encompass a wide historical, geographic, and ideological scope in which Bruce Lee is a persistent presence, and has the last word."--Barry Curtis, professor at the University of the Arts, London, author of "Dark Places: The Haunted House in Film"
"White is uniquely positioned, as equal parts fan and scholar, to tell the fascinating story of martial arts cinema's journey through popular culture. Fighting without Fighting includes loving and intelligent tributes to everything from the films of the Shaw Brothers and Golden Harvest, such as King Boxer, Lady Whirlwind, and Enter the Dragon, through American films and television series, such as Billy Jack, Kung Fu, and Black Belt Jones, to contemporary martial arts offerings as diverse as Buffy the Vampire Slayer, Crouching Tiger, Hidden Dragon, and Daredevil. White also offers provocative insights and nuanced arguments with respect to the importance of martial arts media in foregrounding and negotiating complex issues from national, racial, and gender identities to the significance of debates about both mediatized and real-life violence, and the potential peril in and promise of martial arts media and practice as a means to ethical transformation and self-actualization. Equally rich in enthusiasm and expertise, Fighting without Fighting is a commendable achievement in passionate fandom and penetrating scholarship--a must-read for all fans and scholars interested in martial arts, media studies, and cultural theory."--Kyle Barrowman, adjunct professor of media and cinema studies, DePaul University
