In the late nineteenth century, a group of German-speaking Mennonites travelled from Russia into Central Asia, where their charismatic leader predicted Christ would return. Over a century later, Sofia Samatar joins a tour following their path, fascinated not by the hardships of their journey, but by its aftermath: the establishment of a small Christian village in the Muslim Khanate of Khiva. Named Ak Metchet, 'The White Mosque', after the Mennonites' whitewashed church, the village lasted for fifty years. In pursuit of this curious history, Samatar discovers a variety of characters whose lives intersect around the ancient Silk Road, from a fifteenth-century astronomer-king, to an intrepid Swiss woman traveller of the 1930s, to the first Uzbek photographer. She explores Central Asian cinema, Christian martyrs, and her own complex upbringing as the daughter of a Swiss Mennonite and a Somali Muslim, raised as a Mennonite of colour in America. On Samatar's secular pilgrimage to both a lost village and a near-forgotten history, she traces the porous, ever-expanding borders of identity. How do we enter the stories of others? And how, out of the tissue of life, with its weird incidents, buried archives, and startling connections, does a person construct a self?
About the Author :
Sofia Samatar is the author of the novels A Stranger in Olondria and The Winged Histories; the short story collection Tender; and Monster Portraits, a collaboration with her brother, the artist Del Samatar. Her work has received the IAFA William L. Crawford Fantasy Award, the Astounding Award for Best New Writer, a British Fantasy Award and a World Fantasy Award. She has also been a finalist for a Locus Award, a Hugo Award, a Nebula Award and the Calvino Prize. Her work has appeared in several 'best of the year' anthologies, including The Best American Science Fiction and Fantasy. Samatar holds a PhD in African languages and literature from the University of WisconsinMadison, and she currently teaches African literature, Arabic literature in translation and speculative fiction at James Madison University.
Review :
'The White Mosque is a luminous, brilliant gaze into some of our most profound questions about identity, inheritance, and all that we carry forward as we move through this world. Page after page, Samatar writes with electrifying beauty, treading that fine balance between lush metaphor, philosophical evocation and unwavering clarity. This is a spellbinding, riveting book.'
'Sofia Samatar's encyclopedic imagination, her voracious intensity toward literature, her luminous poetic voice, her attunement to the uncanniness and ghosts of history finds her in company with Olga Tokarczuk, W. G. Sebald, Jorge Luis Borges, and Maria Stepanova. The White Mosque may be her magnum opus: a mosaic that both shatters and illuminates.'
'A story of pilgrimage, "a palimpsestic quest". The White Mosque is an oasis for the world-weary soul, a glorious and sensuous glimpse into histories edited out of mainstream conversations . . . Hurry, reader, settle into a seat with this book and prepare to be delighted.'
'There are very few contemporary writers—if any—who can match Sofia Samatar’s kaleidoscopic inventiveness and wonderful wit. She is a genius and The White Mosque is the most mesmeric book I’ve read in years.'
'A brilliant quest narrative like none you’ve ever read. The White Mosque is a passionately researched memoir-helix, written by a genius of genre, and composed of strands of other histories twisted with Samatar’s own. As with all her books, one imagines Sofia Samatar emerging from the scene of its creation like a victor having wrestled questions and forces we are too timid, or not-equipped, to face on our own. Samatar conducts epic battles for her books—to make them real and to give form to what, before we read it, would have seemed impossible to imagine. The result is a work of profound scholarship and kaleidoscopic beauty.'
'The White Mosque is a text of immense richness, complexity, and beauty. Tracing the Silk Road journey of 19th century Mennonites into central Asia and written with poetic grace, Sofia Samatar finds and marks out innumerable parallel paths across time, space, literatures, and histories, including her own personal story.'
'Sofia Samatar is a writer's writer. There is sweetness and colour and shade. There is the collision and confrontation with various histories past, moments present. There is the shattering of shimmer and the mosaic of a lived life--lives past and gone that created a way for her breath and becoming. Sofia Samatar in The White Mosque wants to shift the breath of another, wants for words on the page and the sensations they conjure to move something of the inhalation and exhalation of one's breathing in noticeable even if excitable, even if calming, ways. And my breath was shifted. Not looking to simply confront the past, Samatar's memoir and memorial compels readers to think about how we handle the past, what we do with it in our hands and with our eyes, as well as how it works on us, produces an effect on us, changes us and what we know of our capacities, ideas, thoughts, imaginations. All this is sensed in the movement that Mennonites traversed toward the end of their world, movements that produce religious convergences and confluences. Is your life a pilgrimage, a journey, a wandering? Reading The White Mosque sets the stage for this kind of thinking, this line of questioning, urgent and necessary and present to take the breath away.'
