Julia

London, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen - cheerfully cynical, believing in nothing and caring not at all about politics. She routinely breaks the rules but also collaborates with the regime whenever necessary. Everyone likes Julia. A diligent member of the Junior Anti-Sex League (though she is secretly promiscuous) she knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child spies and the black markets of the prole neighbourhoods. She's very good at staying alive.

But Julia becomes intrigued by a colleague from the Records Department - a mid-level worker of the Outer Party called Winston Smith - when she sees him locking eyes with a superior from the Inner Party at the Two Minutes Hate. And when one day, finding herself walking toward Winston, she impulsively hands him a note - a potentially suicidal gesture - she comes to realise that she's losing her grip and can no longer safely navigate her world.

Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell's Nineteen Eighty-Four, here, finally, is a provocative, vital and utterly satisfying companion novel.

About the Author :
SANDRA NEWMAN is the author of the Bailey's Prize-longlisted The Country of Ice Cream Star, The Only Good Thing Anyone Has Ever Done (shortlisted for the Guardian First Book Award), Cake, The Heavens and The Men. She is a graduate of the University of East Anglia Creative Writing program and now lives in New York.

Review :
'Sandra Newman's Julia, approved by Orwell's estate, is neither an anachronistic betrayal of the source material, nor some parched scholarly exercise. Rather, it is a vibrant, full-blooded book that adheres to the spirit of the original while tearing elements of it - namely the character of Winston Smith - to pieces... very funny... it is also peppered with fresh observations that made me laugh out loud... Newman hits all the big beats from Orwell's book - the torture in Room 101, Julia and Winston's final meeting. But what is so wonderful about this is not just its depiction of Julia as even cleverer than you might imagine, but also its rich understanding of what Orwell meant about society's three strata locked in an endless battle for supremacy. Julia, living in this pressure cooker, is often cruel as well as astute. She is the one in the end who understands this' - I Paper

'Excellent ... Bold, eloquent, and often drawn to the psychologically unsettling, Newman is a worthy recipient of the iconic 1984 baton' - Big Issue


'[A] gripping read' - Literary Review


'Delicious and provocative' - The Gloss


'Julia's story [...] is so well engineered it perfectly matches the contours of Nineteen Eighty-Four. The same goes for Newman's dialogue and descriptive language, both of which have an Orwellian melody... smart... This is a good book, which offers an optimistic take on the pessimistic original' - Irish Independent