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The Music of Antônio Carlos Jobim

The Music of Antônio Carlos Jobim


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About the Book

Antônio Carlos Jobim has been called the greatest of all contemporary Brazilian songwriters. He wrote both popular and serious music and was a gifted piano, guitar and flute player. One of the key figures in the creation of the bossa nova style, Jobim’s music made a lasting impression worldwide, and many of his songs are now standards of the popular music repertoire.   In The Music of Antônio Carlos Jobim, one of the first extensive musicological analyses of the Brazilian composer, Peter Freeman examines the music, philosophy and circumstances surrounding the creation of Jobim’s popular songs, instrumental compositions and symphonic works. Freeman attempts to elucidate not only the many musical influences that formed Jobim’s musical output, but also the stylistic peculiarities that were as much the product of a gifted composer as the rich musical environment and heritage that surrounded him.

Table of Contents:
Acknowledgments Abstract List of Musical Examples Chapter 1: Introduction Antônio Carlos Jobim: Introduction and Background The Perception of Jobim: Reviews, Impressions, Quotations, Influences Discussion of Sources Chapter 2: Influences Historical Background and Development The Birth of Bossa Nova Instrumental Pieces and Film Music Rhythmic Influences: Samba, Maracatu, Baičo, Frevo Folk and Popular Music Influences: Modinha, Choro Western Art-Music Influences: Villa-Lobos, Chopin, Debussy, Ravel, Stravinsky, Gnattali, Gershwin Jobim’s Aesthetics and Philosophy Chapter 3: Harmonic Language Introduction Harmonic Techniques: ‘Chega de saudade’ Melodic Sequence with Non-Sequential Altered Harmonies Major-Minor Mode Changes Descending Linear Chromatic Harmonic Relationships Contextual Use of Extended Harmony Parallel Harmonic Progression Tonal Ambiguities Guitar-based Sonorities Chords for Harmonic Effect Bitonal Influences and Chordal Superimposition Comparison of Whole Works and Parts of Jobim’s Works: Saudade do Brasil Bird Calls Female Choir as an Orchestral Instrument Arquitetura de morar Conclusion Chapter 4: Rhythmic Techniques Samba Clave Rhythmic Patterns Polyrhythmic Techniques Rhythmic Accent Hypermetre Pedal Tones Melodic Timing Conclusion Chapter 5: Thematicism and Structural Design Self-Referential Attributes of Bossa Nova Juxtaposition of Static and Shifting Musical Material Motivic Design Restrictions ‘Insensatez’ Descending Minor Second Motive Musical Inter-dependence and Understatement Transposed Motive Repetition ‘Águas de marćo’ (Waters of March) Melodic Tributes Melodic Contour Whole-Tone Scales Choro Structural Form ‘Dindi’ Alternative Melody Conclusion Chapter 6: Conclusion Bibliography

About the Author :
Peter Freeman is honorary associate lecturer at the University of Queensland’s School of Music.


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Product Details
  • ISBN-13: 9781783209392
  • Publisher: Intellect
  • Publisher Imprint: Intellect Books
  • Language: English
  • ISBN-10: 1783209399
  • Publisher Date: 15 Feb 2019
  • Binding: Digital download


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