Buy Perspectives on Differences in Rock Art by Jan Magne Gjerde
Book 1
Book 2
Book 3
Book 1
Book 2
Book 3
Book 1
Book 2
Book 3
Book 1
Book 2
Book 3
Home > History and Archaeology > Archaeology > Archaeology by period / region > Perspectives on Differences in Rock Art
2%
Perspectives on Differences in Rock Art

Perspectives on Differences in Rock Art


     0     
5
4
3
2
1



Out of Stock


Notify me when this book is in stock
X
About the Book

Rock art is a global phenomenon with an enormous variation in shapes and figures and the research interest is wide and inclusive. The volume aims to explain differences observed in rock art through time and space, synchronically or diachronically. Differences can for example be in form, content, space (macro and micro), where explanations might relate to a large variety of factors such as political, societal, beliefs and rituals. Issues connected with authenticity and presentation where efforts and choices taken to preserve and present rock art are indeed many sided and complex are discussed. The wide-range papers in this volume are by scholars from across the globe with different perspectives on differences in Rock Art. This volume will be of interest to students, archaeologists and researchers from related disciplines.

Table of Contents:
Introduction Jan Magne Gjerde and Mari Strifeldt Arntzen 1. On the Chronology and Use of Hunter-Gatherer: Rock Painting Sites in Northern Europe Joakim Goldhahn (Linnæus Univeristy) 2. Changing Settlements, Shores and Boats through 5000 Years: Dating and Connecting Petroglyphs to the General Archaeological Record - A Case from Northernmost Norway Knut Helskog (Arctic University Museum of Norway, Tromsø) 3. Spiritual Landscapes: Diversity in Practices and Perceptions in Northern Fennoscandia Charlotte Damm (Arctic University of Norway, Tromsø) 4. Snowscapes of Rock Art - Seasons and Seasonality of Stone Age Rock Art in Northernmost Europe Jan Magne Gjerde 5. The Appreciation of Reindeer: Rock Carvings and Sámi Reindeer Knowledge Marianne Skandfer (Arctic University of Norway, Tromsø) 6. The Management of the Kåfjord Rock Art Site Martin Hykkerud (World Heritage Rock Art Centre, Alta Museum, Norway) 7. Seasons and Landscape in North European Hunter-gatherer Rock Art – The Case of Salmon at Honnhammar, Central Norway Trond Eilev Linge (University of Bergen) 8. The Mind in the Wild – On ‘Motemic’ Variation in Late Mesolithic Scandinavian Rock Art Ingrid Fuglestvedt (University of Oslo) 9. Evidence for Animal Sacrifices in Front of the Rock Painting of Kotojärvi, Southeastern Finland Antti Lahelma (University of Helsinki) 10. Land Hunting in Rock Art of Northern Fennoscandia Eugen Kolpakov (Russian Academy of Sciences) 11. On the Chronology and Periodization of Rock Art in Karelia Nadezhda V Lobanova (Russian Academy of Sciences) 12. New Dimension into the Deep-sea Exploitation: Visual Clues of the Rock Art of White Sea and Alta Liliana Janik (University of Cambridge) 13. Making Time, Timing Art: Image and Process in Neolithic Britain and Ireland Andrew Meirion Jones (University of Southampton) and Marta Díaz-Guardamino (Durham University) 14. The Cultural Understanding of Sound in Rock Art Landscapes: The Limits of Interpretation Margarita Díaz-Andreu (University of Barcelona), Tommaso Mattioli (University of Barcelona) and Michael Rainsbury (Independent Scholar) 15. Birds and Blurred Boundaries: Communities of Practice and the Problem of Regions in San Rock Art Ghilraen Laue (KwaZulu-Natal Museum, South Africa) 16. Rethinking Variability in Rock Art in the Northern Cape, South Africa: Empirical and Theoretical Considerations David Morris (Sol Plaatje University, South Africa) 17. Image and Identity: Modelling the Emergence of a 'New' Rock Art Tradition in Southern Africa Geoffrey Blundell (KwaZulu-Natal Museum, South Africa) 18. Skills and Traces: Imagining Differences in Engravings, Northern Cape, South Africa Silvia Tomášková (University of North Carolina, Chapel Hill) 19. Desert Rock Art: Social Geography and Stylistic Variability at the Local Scale Jo McDonald (University of Western Australia) 20. 21st Century Innovation in Conserving the Rock Art of Northern Australia Paul S.C. Taçon (Griffith University) 21. Bonding and Bounding in Australian Rock Art: The Panaramitee Tradition and Simple Figurative Styles Natalie R. Franklin (University of Western Australia) 22. Desert Varnish and the Marine Transgression: A Chronological Indicator for Murujuga Rock Art Ken Mulvaney (University of Western Australia) 23. Whose Country? Native Title and Authenticity in Rock Art Research Leslie F. Zubieta (University of Barcelona) and Jo McDonald (University of Western Australia) 24. Approaching Rock Art Regions: Trans-Pecos Texas (USA) as an Illustrative Case Study Jamie Hampson (University of Exeter) 25. Location is (Almost) Everything: Rock Art Differences Across the Sacred. Landscape of the Klamath Basin (Oregon/California, USA) Robert A. David and Margaret W. Conkey (both at University of California, Berkeley)

About the Author :
Jan Magne Gjerde is Researcher in Archaeology at the High North Department in Tromsø at NIKU (Norwegian Institute for Cultural Heritage Research). Mari Strifeldt Arntzen is an archaeologist at the World Heritage Rock Art Centre, Alta Museum in Norway


Best Sellers


Product Details
  • ISBN-13: 9781781799192
  • Publisher: Equinox Publishing Ltd
  • Publisher Imprint: Equinox Publishing Ltd
  • Language: English
  • ISBN-10: 1781799199
  • Publisher Date: 30 Apr 2021
  • Binding: Digital download and online
  • No of Pages: 484


Similar Products

Add Photo
Add Photo

Customer Reviews

REVIEWS      0     
Click Here To Be The First to Review this Product
Perspectives on Differences in Rock Art
Equinox Publishing Ltd -
Perspectives on Differences in Rock Art
Writing guidlines
We want to publish your review, so please:
  • keep your review on the product. Review's that defame author's character will be rejected.
  • Keep your review focused on the product.
  • Avoid writing about customer service. contact us instead if you have issue requiring immediate attention.
  • Refrain from mentioning competitors or the specific price you paid for the product.
  • Do not include any personally identifiable information, such as full names.

Perspectives on Differences in Rock Art

Required fields are marked with *

Review Title*
Review
    Add Photo Add up to 6 photos
    Would you recommend this product to a friend?
    Tag this Book Read more
    Does your review contain spoilers?
    What type of reader best describes you?
    I agree to the terms & conditions
    You may receive emails regarding this submission. Any emails will include the ability to opt-out of future communications.

    CUSTOMER RATINGS AND REVIEWS AND QUESTIONS AND ANSWERS TERMS OF USE

    These Terms of Use govern your conduct associated with the Customer Ratings and Reviews and/or Questions and Answers service offered by Bookswagon (the "CRR Service").


    By submitting any content to Bookswagon, you guarantee that:
    • You are the sole author and owner of the intellectual property rights in the content;
    • All "moral rights" that you may have in such content have been voluntarily waived by you;
    • All content that you post is accurate;
    • You are at least 13 years old;
    • Use of the content you supply does not violate these Terms of Use and will not cause injury to any person or entity.
    You further agree that you may not submit any content:
    • That is known by you to be false, inaccurate or misleading;
    • That infringes any third party's copyright, patent, trademark, trade secret or other proprietary rights or rights of publicity or privacy;
    • That violates any law, statute, ordinance or regulation (including, but not limited to, those governing, consumer protection, unfair competition, anti-discrimination or false advertising);
    • That is, or may reasonably be considered to be, defamatory, libelous, hateful, racially or religiously biased or offensive, unlawfully threatening or unlawfully harassing to any individual, partnership or corporation;
    • For which you were compensated or granted any consideration by any unapproved third party;
    • That includes any information that references other websites, addresses, email addresses, contact information or phone numbers;
    • That contains any computer viruses, worms or other potentially damaging computer programs or files.
    You agree to indemnify and hold Bookswagon (and its officers, directors, agents, subsidiaries, joint ventures, employees and third-party service providers, including but not limited to Bazaarvoice, Inc.), harmless from all claims, demands, and damages (actual and consequential) of every kind and nature, known and unknown including reasonable attorneys' fees, arising out of a breach of your representations and warranties set forth above, or your violation of any law or the rights of a third party.


    For any content that you submit, you grant Bookswagon a perpetual, irrevocable, royalty-free, transferable right and license to use, copy, modify, delete in its entirety, adapt, publish, translate, create derivative works from and/or sell, transfer, and/or distribute such content and/or incorporate such content into any form, medium or technology throughout the world without compensation to you. Additionally,  Bookswagon may transfer or share any personal information that you submit with its third-party service providers, including but not limited to Bazaarvoice, Inc. in accordance with  Privacy Policy


    All content that you submit may be used at Bookswagon's sole discretion. Bookswagon reserves the right to change, condense, withhold publication, remove or delete any content on Bookswagon's website that Bookswagon deems, in its sole discretion, to violate the content guidelines or any other provision of these Terms of Use.  Bookswagon does not guarantee that you will have any recourse through Bookswagon to edit or delete any content you have submitted. Ratings and written comments are generally posted within two to four business days. However, Bookswagon reserves the right to remove or to refuse to post any submission to the extent authorized by law. You acknowledge that you, not Bookswagon, are responsible for the contents of your submission. None of the content that you submit shall be subject to any obligation of confidence on the part of Bookswagon, its agents, subsidiaries, affiliates, partners or third party service providers (including but not limited to Bazaarvoice, Inc.)and their respective directors, officers and employees.

    Accept


    Inspired by your browsing history


    Your review has been submitted!

    You've already reviewed this product!