lode

The lode in Gillian Allnutt’s title picks up on two of the many meanings of the word. A lode can be a course, a way, a journey; also a road, a lane. Her collection traces a journey through time, the time of her own life and of our lives, since the Second World War. Lode also means guidance, here the guidance afforded by the continuity and relative stability – economic, cultural, spiritual – of Britain’s postwar years, the setting of the first part of the book. That sense of stability ended with Covid, which found Gillian Allnutt isolated in the former pit village of Esh Winning in Co. Durham, her home for the past 30 years, the landscape of much of the middle section of the book. The poems in the book’s third part, Earth-hoard, are raids on the new Unknowable, drawing on the habitual resources of the old known world, informed by spiritual traditions, especially Christianity; by English literature; and by the old habit of writing about a natural world which is now threatened as never before.

Table of Contents:
POSTWAR 12 Audience 13 Corbridge 14 refugee born London 1949 15 Dunstanburgh 16 a place beyond belief 17 Berthe 18 Crabapple moon 19 Poem for John Clinging 20 Pink Jenkins 21 Private Passion 22 Flame-thrower 24 My father, mislaid 25 note LOCKDOWN 28 Golden Saxifrage 29 On having to leave York University without the clock 30 Azuma Meditation 31 The Walk (allowed) 32 If these days should be final 33 My Garden in Esh Winning 34 Lockdown 35 The way she remembered it 37 To be honest 38 At 71 39 Marney’s Boots 40 Mask EARTH-HOARD 42 ‘Wouldst thou witten thy Lord’s meaning in this thing?’ 43 At Ware 44 Beechwood 45 of the trees in the wood by the old pit line 46 summertime 47 Germander Speedwell Veronica chamaedrys (Linn.) 48 Do the birds worry? 49 Solitude 50 The Song of Arachnid 51 My hands, yes 52 I love this poor earth for I have known no other 53 Trist 54 dark night of the soul 55 Footnote 56 Afternoon in the Garden 57 Found Poem 58 Flâneur 59 for only then can 60 Sea Change 63 Notes 71 Roughage

About the Author :
Gillian Allnutt was born in London but spent half her childhood in Newcastle upon Tyne. In 1988 she returned to live in the North East. Before that, she read Philosophy and English at Cambridge, and then spent the next 17 years living mostly in London. From 1983 to 1988 she was poetry editor ofCity Limitsmagazine. Her collectionsNantucket and the AngelandLintelwere both shortlisted for the T.S. Eliot Prize. Poems from these collections are included in her Bloodaxe retrospectiveHow the Bicycle Shone: New & Selected Poems(2007), which draws on six published books plus a new collection,Wolf Light, and was a Poetry Book Society Special Commendation. Her most recent collections, both from Bloodaxe, areindwelling(2013) andwake(2018), to be followed bylode(2025). She has also publishedBerthing: A Poetry Workbook(NEC/Virago, 1991), and was co-editor ofThe New British Poetry(Paladin, 1988). From 2001 to 2003 she held a Royal Literary Fund Fellowship at Newcastle and Leeds Universities. She won the Northern Rock Foundation Writer's Award in 2005 and received a Cholmondeley Award in 2010. Since 1983 she has taught creative writing in a variety of contexts, mainly in adult education and as a writer in schools. In 2009/10 she held a writing residency with The Medical Foundation for the Care of Victims of Torture (now Freedom From Torture) in the North East, working with asylum seekers in Newcastle and Stockton. In 2013/14 she taught creative writing to undergraduates on the Poetry and Poetics course in the English Department of Durham University. She lives in County Durham. Gillian Allnutt was awarded The Queen's Gold Medal for Poetry 2016. The Medal is awarded for excellence in poetry, and was presented to Gillian Allnutt by HM Queen Elizabeth in February 2017.

Review :
Her writing roams across centuries, very different histories and lives, and draws together, without excuse or explanation, moments which link across country, class, culture and time… Her poems progress over the years to a kind of synthesis of word-play and meditation. In her work the space between what is offered and what is withheld is every bit as important as what is said. She has the power to comfort and to astonish in equal measure. Gillian Allnutt’s spare, elegiac poems are like runes on bone; messages from another world... There is rich thought compressed within these poems, where spirituality is all the more telling for its quiet capacity to surprise. wake…is a contemporary pilgrim's progress, confronting doubt and the cruelties of the world both now and in a historic perspective. She travels the border between this world and the world of the spirit, combining the two in radiantly-spare poems, beyond-haunting, yet grounded in the moment.. a profound examination of human experience in language both searing and serene.