About the Book
Ten: the new wave presents poetry from some of the most exciting new poets in Britain today. These ten poets were selected for The Complete Works 2 mentoring project, a groundbreaking initiative to promote diversity and quality in British poetry, initiated by the writer Bernardine Evaristo. The poets follow on from the first group to take part in this scheme, whose work was published in Bernardine Evaristo and Daljit Nagra's anthology Ten: new poets from Spread the Word (2010). Most of those poets have gone on to win awards and have their poetry collections published. The new poets in this anthology are Mona Arshi, Jay Bernard, Kayo Chingonyi, Rishi Dastidar, Edward Doegar, Inua Ellams, Sarah Howe, Adam Lowe, Eileen Pun and Warsan Shire. These poets have backgrounds in Asia, Europe, the Caribbean and Africa, and their work draws on their multicultural heritage and tapestry. Many of them also work across art forms and have enjoyed success as playwrights, graphic artists and even in the martial arts. Talented, adventurous and culturally rich, these poets will open up new landscapes for the reader. 'These ten exciting poets record with confidence and vigour a tune rarely heard on these shores and this collection of their work is a boost to the body of contemporary British poetry' - Carol Ann Duffy. '...a sampler of work by black minority ethnic poets that includes some of the best new verse to be found anywhere.' - Fiona Sampson, Independent The project is directed by Dr Nathalie Teitler, with thanks to Arts Council England for their generous funding.
About the Author :
Karen McCarthy Woolf was born in London to English and Jamaican parents. She has been awarded residencies at the literary development agency Spread the Word, the City of El Gouna, Egypt and at the National Maritime Museum in Greenwich in 2015 where she responded to an exhibit on migration. Having read at a wide variety of national and international venues and festivals, including Cheltenham, Aldeburgh, Ledbury, the Royal Festival Hall, Barbican Centre, V&A, Tate Modern and Science Museum in the UK, as well as in the US, Singapore, Sweden and the Caribbean, she is known as a compelling presenter of her work. Karen has an active interest in cross-platform collaboration: her writing has been commissioned as an installation, selected for Poems on the Underground, produced as a poetry/choreography film and dropped from a helicopter over the Houses of Parliament by the Chilean arts collective Casagrande. The recipient of an Arts Council England Award, the Kate Betts Memorial Prize and an AHRC scholarship at Royal Holloway, The University of London, she is researching hybridity in poetry and how this informs ways in which we might write about nature, the city and the sacred. Her poems are translated into Spanish and most recently Swedish, as part of the European poetry initiative Versopolis. Her first book-length collection, An Aviary of Small Birds (Carcanet, 2014), a Poetry Book Society Recommendation, was shortlisted for both the Forward and Aldeburgh Best First Collection Prizes, and selected as a Guardian/Observer book of the month by Kate Kellaway, who described it as a ‘beautiful, painful, pitch-perfect debut’. Her second collection, Seasonal Disturbances, was published by Carcanet in 2017. Karen has been in publishing from the age of 17 and in 1997 edited the critically acclaimed anthology Bittersweet which was described in the Independent on Sunday as a ‘publication of tremendous depth’. She is on the board of two literary journals, Poetry London and Wasafiri, was a selector for the Faber New Poets scheme and has worked with a variety of agencies including The Photographers’ Gallery, British Council, The Poetry School, Southbank Centre, English PEN, Museum of Garden History and the Arvon Foundation. Karen is a fellow of The Complete Works, a nationwide professional development programme committed to creating more cultural diversity in mainstream poetry publishing, was included in its associated anthology, Ten: New Poets from Spread the Word (2010), and went on to edit the subsequent anthologies, Ten: The New Wave (2014) and Ten: Poets of the New Generation (2017), all from Bloodaxe.
