Complete Poems

Basil Bunting (1900-1985) was one of the most important British poets of the 20th century. Acknowledged since the 1930s as a major figure in Modernist poetry, first by Pound and Zukofsky and later by younger writers, the Northumbrian master poet had to wait over 30 years before his genius was finally recognised in Britain – in 1966, with the publication of Briggflatts, which Cyril Connolly called ‘the finest long poem to have been published in England since T.S. Eliot’s Four Quartets’. As well as Briggflatts, this edition includes Bunting’s other great Sonatas, most notably Villon (1925) and The Spoils (1951), along with his two books of Odes, his vividly realised ‘Overdrafts’ (as he called his free translations of Horace, Rudaki and others), and his brilliantly condensed Japanese adaptation, Chomei at Toyama (1932). It presents in its entirety Bunting’s own Collected Poems, with the addition of the posthumous Uncollected Poems and an introduction by Richard Caddel. Bunting wrote that ‘Poetry, like music, is to be heard.’ His own readings are essential listening for a full appreciation of his highly musical poetry. This enhanced ebook with audio draws on audio recordings of readings given by Bunting in Britain and the US during the 1960s and 1970s, with 50 audio files embedded with the texts of the poems, including all his major works. A separate enhanced ebook with audio and video of Briggflatts is also available from Bloodaxe, including two audio recordings of the poem from 1967 and 1977, a video of Peter Bell’s 1982 film portrait of Bunting, and additional background material. ‘Briggflatts is one of the few great poems of this century. It seems to me greater each time I read it.’ – Thom Gunn ‘His poems are the most important which have appeared in any form of the English language since T.S. Eliot’s The Waste Land.’ – Hugh MacDiarmid

About the Author :
Basil Bunting was one of the most important British poets of the 20th century. Acknowledged since the 1930s as a major figure in Modernist poetry, first by Pound and Zukofsky and later by younger writers, the Northumbrian master poet had to wait over 30 years before his genius was finally recognised in Britain - in 1966, with the publication of Briggflatts, which Cyril Connolly called 'the finest long poem to have been published in England since T.S. Eliot's Four Quartets. Born in Northumberland in 1900, Bunting lived in Paris in the 20s, where Ezra Pound rescued him from jail and fixed him up with a job on the Transatlantic Review. He later followed Pound to Italy - giving up his job to Hemingway - where Yeats knew him as 'one of Pound's more savage disciples'. For the next 30 years he led a sometimes wild and always varied life - in Italy, England, Berlin, Tenerife, America and Persia - as a struggling, penniless writer, a music critic, sea captain, RAF officer, Times correspondent and Chief of Political Intelligence in Tehran. During these years he built up a reputation in America as the best English poet of his generation, at the same time as his poetry was neglected in Britain. In 1954 he returned to Northumberland, and worked for several years as a sub-editor on the Newcastle Evening Chronicle. It was not until the publication of Briggflatts that his genius was finally recognised. He died in 1985. Complete Poems (2000) was reissued by Bloodaxe for Bunting's centenary and includes his original Collected Poems alongside the posthumous Uncollected Poems. It also contains a new introduction by Richard Caddel. The separate Bloodaxe edition of Briggflatts (2009) includes a CD with an audio recording Bunting made of Briggflatts in 1967 and a DVD of Peter Bell’s 1982 film portrait of Bunting. As well as his own notes to the poem, the book includes his seminal essay on sound and meaning in poetry, ‘The Poet’s Point of View’ (1966). Released in June 2016 to coincide with the 50th anniversary of the first publication of Briggflatts, the enhanced ebook with audio of Complete Poems includes audio files of all of Bunting's major works, while the enhanced ebook with audio and video of Briggflatts includes audio files of two different readings by Bunting (1967 and 1977) together with a video of Peter Bell's film portrait.