The Grain of the Clay: Reflections on Ceramics and the Art of Collecting

The Grain of the Clay deepens our appreciation of ceramics while providing a critical meditation on collecting. Weiss examines the vast stylistic range of ceramics, investigating the reasons for viewing, using and collecting them. He explores ceramic objects' relationship with cuisine as an art and as a part of everyday life. Ceramics are increasingly finding their rightful place in museums and Weiss shows how this newfound engagement with finely wrought natural materials might foster an increased ecological sensitivity.  The Grain of the Clay will appeal to the collector in every one of us.

About the Author :
Allen S. Weiss teaches in the departments of Performance Studies and Cinema Studies at New York University. He is the author and editor of over forty books in the fields of performance theory, landscape architecture, gastonomy, sound art and experimental theatre. Mirrors of Infinity: The French Formal Garden and 17th-century Metaphysics (1995), Feast and Folly: Cuisine, Intoxication, and the Poetics of the Sublime (2002), Varieties of Audio Mimesis: Musical Evocations of Landscape (2008) and, most recently, Zen Landscapes (Reaktion Books, 2013)

Review :
Weiss himself is a genuine aficionado. He writes with knowledge and enthusiasm about many aspects of Japanese aesthetics, from its core principles of seasonality, sensuality and equilibrium of disequilibrium to regional clay flavours (tsuchi-aji) that he interestingly compares to the notion of terroir in French wines. This book will gratify those who share Weisss sensibilities. The book is an engaging exploration of the meaning and practice of collecting through his own personal relationship with Japanese ceramics. It provides a critical examination of how and why we collect, encouraging us to deepen our appreciation of the art of ceramic objects. In a book both well-written and highly descriptive, the author transcends the object, the guinomi (a small ceramic sake cup), to question its relationship to all its suroundings. The guinomi comes to represent art and nature . . . I highly recommend this book to those interested in collecting, ceramics or seeking insight into an art collector’s world. The writer urges readers to make collections part of their lives . . . Collections tell us more about owners, institutions, and even governments than the objects themselves, their acquisition reflecting everything from discerning taste and refinement to venality. This book gives us the chance to ponder all these things – to make an orderly collection of our thoughts.