About the Book
CBC BOOKS' "CANADIAN POETRY COLLECTIONS TO WATCH FOR IN FALL 2024"
Imagining a vast blue expanse of what a poem might beThe Sky Is a Sky in the Sky is a laboratory of poetic approaches and experiments. It mines the personal and imaginary lives of Stuart Ross and portraits of his grief and internal torment, while paying homage to many of the poet's literary heroes. It contains new entries in Ross's ongoing Razovsky poems, prose poems, a remix of an entire poetry book by dear friend Nelson Ball, a couple of collaborative poems, some one-line poems, and lots more. In an era of thematic poetry and conceptual poetry books, this collection is a celebration of possibilities and miscellany.
"Stuart Ross doesn't hold back, happily for us. In letting his poems go where they want to go, sometimes by leaps and bounds, he reminds us that poetic rules are meant to be broken and that the results, in the hands of a skillful poet, can be moving, or amusing, or subversive, or exhilarating, or all of the above. His work brims with surprises. From start to finish, The Sky Is a Sky in the Sky is a delightful and thoroughly engaging book." - Charles North, author of News, Poetry and Poplars: Poems/Selected Prose
"Here, we're invited to gawk at horror and kick it in the pants, but also to notice the horror within us, because we all have it, and Ross doesn't shy away from the odd and uncomfortable. He's easy with sentiment, honest about grief, clear about death being our final destination, and behooves us mightily to enjoy it while we can. This book contains some of Ross's greatest love songs for the dead as well as some sideways laments for the living - in these poems we can see ourselves and our friendships, our future losses, and present mysteries examined with no preference or perfunctory reverence. Each time I read Stuart Ross's work I feel grateful, hopeful, reminded to lift my skeleton up and enjoy the abundant wonders the world holds." - Gillian Wigmore, author of Orient
"Stuart Ross is one of the most important poets to have found himself somehow on planet Earth, where readers have been rejoicing in his work for nearly six decades. He makes it seem easy: open your eyes, your ears, your heart; look into the world and write. However, to do so with such unflinching candour, many-layered humour, the deepest emotional intelligence, and rarest lyric acumen? No, you have to be Stuart Ross to bring all of everything to bear upon being alive in one's time. To rejoice is also to mourn, of course, and these poems are afraid to do neither. Ross trusts poetry more than any of us, so poetry trusts him back: this book dazzles the very sunlight with what it knows, including of the estrangements of the self upon which poetry so often insists, and the fictitiousness of borders between the present and the past, dream and not-dream, hilarity and grief. Whoever you are, including the laws of physics, you will be startled and moved by The Sky Is a Sky in the Sky. At times a momentarily posthumous point of view propels the poems, but do not grieve (or do): the book is immortal." - Lisa Fishman, author of Mad World, Mad Kings, Mad Composition
About the Author :
Stuart Ross is the author of 25 books of fiction, poetry, and personal essays, as well as scores of chapbooks. His most recent books are the memoir The Book of Grief and Hamburgers, winner of the 2023 Trillium Book Award, and the short story collection I Am Claude François and You Are a Bathtub. Stuart won the 2019 Harbourfront Festival Prize, the 2017 Canadian Jewish Literary Award for Poetry, and the 2010 Relit Award for Short Fiction. Since 1979, Stuart has run a micropress called Proper Tales. In the 1980s, he sold over 7,000 of his chapbooks on the streets of Toronto, wearing signs such as "Writer Going To Hell: Buy My Books." His poetry has been translated into Nynorsk, French, Spanish, Russian, Slovene, and Estonian. Stuart lives in the tiny town of Cobourg, on the north shore of Lake Ontario.
Review :
"The collection moves in a myriad of directions, providing a poetry title assembled almost as a sequence of outreaches, responses and interactions through the form of the lyric." - rob mclennan's blog"Ross chases the sound of words down language's well, ratchets up both mischief and wordplay through an abundance of uncanny imagery, sometimes stacking poems thirty lines deep, while then other times 'toying' a poem down to a few scant lines. Ross's poems never go in the direction where you think they will go - they always go elsewhere." - Chris Banks, The Woodlot
