After Nora

In early 1920s England, Nora’s life is in a state of flux. Married to a man named Herbert, she has fallen in love with another. Sent away to her parents’ home to consider her position, she decides to take control of her life and divorces her first Herbert to marry the second. We follow her in the inter-war years, as she leads an existence on the margins of the artistic and political elite. This quest for control of her life as an artist, mother and wife will continue, as she struggles to find the focus that seems to come so easily to male artists who are not required to fit their work into their domestic lives. In late 1960s Glasgow, young biologist Maria de Sousa wrestles with her feelings for Adam, her older colleague. Fifty years later, his daughter seeks out Maria to discover what really happened between them. Adam is the author’s father, and Nora the grandmother who she never knew. Penelope Curtis offers sensitive portraits of those whose lives she has had to imagine in order to understand. After Nora reveals the forces that check personal callings, and movingly resurrects a past whose remnants still permeate the present.

About the Author :
Penelope Curtis grew up in Glasgow. Over the course of a distinguished career in the arts, she has directed the Henry Moore Institute in Leeds, Tate Britain in London, and, most recently, the Gulbenkian Museum in Lisbon. As an art historian, she is especially known for her work on Barbara Hepworth, about whom she has written a best-selling biography, and for many exhibitions on the materials and meanings of sculpture. She was made Chevalier de l’Ordre des arts et des lettres by the French government in 2014, then an Officer of the same order in 2018. Her most recent books are The Pliable Plane and Scale: Sculpture 1945-2000. After Nora is her first novel.

Review :
'Penelope Curtis's After Nora is a fascinating European novel in the best sense. Spanning three generations and countries, it is a rich, tantalising portrait of beautiful minds in love and in the thick of creation.’  - Xiaolu Guo, author of Radical 'This vivid, imagined history is charming and delicate and absolutely hums with life. After Nora is a gem, tucking brilliant observations on art and what it means (and doesn’t mean) to be an artist into twinned narratives about women attempting to carve space out for themselves within their chosen worlds. An accomplished and fascinating debut!’ -Kyra Wilder, author of Little Bandaged Days ‘In the tradition of the best of Iris Murdoch and Muriel Spark, Penelope Curtis' debut novel shies away from a hagiography of her father and grandmother, instead turning a sharp, academic eye onto matters both personal and artistic, transforming a family history into a chiseled study of love, responsibility, and expressions of freedom. (…) Both Nora and Maria are excavators, of their own feelings and motivations, as well as of the complexities of the world around them, spearheading inquiries into the nature of how to think and feel. (…) Thus, one strength of the narration is the rigour of the two main protagonists, to inquire into themselves and others, which means Curtis' own power to do so as well.’ - Brian Willems, author of Sham Ruins 'A thoroughly absorbing read, After Nora evokes a vivid sense of place, seamlessly combining autobiography and history.’ - Daria Santini, author of The Exiles: Actors, Artists and Writers Who Fled the Nazis for London 'I found After Nora increasingly moving as it went along and I loved the various musings on the purpose and meaning of/in art as Nora tries to understand the value of the paintings she’s producing.’ - David Thorp, artist and curator 'After Nora tells a brilliantly layered story. Everything in the telling is both certainly true and only possibly true. We read and we trust everything in the unravelling.’ - Erica Van Horn, author of We Still Have the Telephone