About the Book
The collected life-work of an interdisciplinary writer, performer, and central figure in the Black Gay cultural arts and AIDS movements.
In this timely collection of poetry, plays, fiction, and performance texts, Assotto Saint draws upon music and incantation, his Haitian heritage and a politics of liberation, to weave together a tapestry of literature that celebrates life in the face of death. Influential to contemporary writers such as Essex Hemphill, Marlon Riggs, and Melvin Dixon, Sacred Spellsintegral to Black and LGBTQ activist movements worldwide, both historic and present.
About the Author :
Key figure in LGBTQ +, African-American and Haitian art and literary culture of the 1980s and early 1990s. Assotto Saint was a trailblazer in the 1980s and early '90s who heavily contributed to increasing the visibility of contemporary Black queerness in literature and theater.
Review :
“In whatever avenue you encounter it, Saint’s work is alive with humans and nature, sex and grief, the zeniths of Black queer life and the perils of the AIDS crisis.” —Danez Smith, them
“Assotto Saint was, first and foremost, a war poet. He was a poet of the AIDS war and more than that, he was a poet of the black voices of the AIDS war, the unheard, unmentioned voices that he was desperate to keep alive in any way he could.”—Victoria Brownworth, Lambda Literary
"Sacred Spells is essential reading as a dissident counter-archive that affirms Black and queer working-class life beyond state and media necropolitics, and in a sense, we are all living in Assotto Saint’s world now, luckily with this book to guide us." —Urayoán Noel, The Latinx Project
"A powerful tribute to a trailblazing LGBTQ artist."—Publishers Weekly
“The road before us looms as an infernal horizon, then metamorphoses and appears as the cyclical Phoenix at the crossroads of life, an intersection of evolution and revolution, where we—baptized in the righteous anger of the Haitian Saint Assotto—forgive and heal in the knowledge that none of us is a cosmic orphan.”—André De Shields
“Assotto was a man who created community… And the fragmented nature of this volume accurately reminds us of the brilliance and courage cut short. A necessary addition that speaks directly to our world.” —Sarah Schulman
“… writing across genres with a fluidity and ferocity that allowed him to shapeshift without losing vigor or agility. In whatever avenue you encounter it, Saint’s work is alive with humans and nature, sex and grief, the zeniths of Black queer life and the perils of the AIDS crisis.”—Danez Smith, them
“Assotto Saint swept in, like Dorothy Dandridge if she’d been allowed to play Cleopatra: tall, regal, perfectly made up, moving as if on a Milan runway with an authority unlike any poet I’d ever seen. When Assotto spoke, it was like French silk fabric snapped out over you… He said, ‘on my resume write survivor.’” —Jewelle Gomez
"[Saint's] poetry constitutes his lasting legacy, being at times fierce, angry, tender, and poignant. It is poetry that bristles with indignation even as it aches with loss and sorrow."—Dale Boyer, The Gay and Lesbian Review
"Sacred Spells is Saint’s crucial legacy: five hundred incandescent pages of painful, lyric writing that exemplifies the visceral, spiritual dimensions of an artistic practice that’s integral to Black and LGBTQ activist movements worldwide, both historic and present." —Queer Forty Staff
"Assotto Saint faces disaster directly and fiercely throughout Sacred Spells, his collected works. His poetry, essays, stories, and plays document, celebrate, and grieve the lives and deaths of his friends and partner dying of AIDS at the height of the epidemic in the 1980s. The pages and pages of elegies, written before Saint himself died from AIDS in 1994, serve as powerful reminders of the unforgivable toll queer communities have paid and still pay—as well as the wild beauty cultivated in that instability. . . Within poems, too, Saint responds to that willful ignorance and inaction, wrestling back his authority to define himself and his community."—Heather Bowlan, The Anarchist Review of Books
