"Mrs. Dalloway said she would buy the flowers herself." So begins Virginia Woolf's much-beloved fourth novel. First published in 1925, Mrs. Dalloway has long been viewed not only as Woolf's masterpiece, but as a pivotal work of literary modernism and one of the most significant and influential novels of the twentieth century. In this visually powerful annotated edition, acclaimed Oxford don and literary critic Merve Emre gives us an authoritative version of this landmark novel, supporting it with generous commentary that reveals Woolf's aesthetic and political ambitions-in Mrs. Dalloway and beyond-as never before.
Mrs. Dalloway famously takes place over the course of a single day in late June, its plot centering on the upper-class Londoner Clarissa Dalloway, who is preparing to throw a party that evening for the nation's elite. But the novel is complicated by Woolf's satire of the English social system, and by her groundbreaking representation of consciousness. The events of the novel flow through the minds and thoughts of Clarissa and her former lover Peter Walsh and others in their circle, but also through shopkeepers and servants, among others. Together Woolf's characters-each a jumble of memories and perceptions-create a broad portrait of a city and society transformed by the Great War in ways subtle but profound ways. No figure has been more directly shaped by the conflict than the disturbed veteran Septimus Smith, who is plagued by hallucinations of a friend who died in battle, and who becomes the unexpected second hinge of the novel, alongside Clarissa, even though-in one of Woolf's many radical decisions-the two never meet.
Emre's extensive introduction and annotations follow the evolution of Clarissa Dalloway-based on an apparently conventional but actually quite complex acquaintance of Woolf's-and Septimus Smith from earlier short stories and drafts of Mrs. Dalloway to their emergence into the distinctive forms devoted readers of the novel know so well. For Clarissa, Septimus, and her other creations, Woolf relied on the skill of "character reading," her technique for bridging the gap between life and fiction, reality and representation. As Emre writes, Woolf's "approach to representing character involved burrowing deep into the processes of consciousness, and, so submerged, illuminating the infinite variety of sensation and perception concealed therein. From these depths, she extracted an unlimited capacity for life." It is in Woolf's characters, fundamentally unknowable but fundamentally alive, that the enduring achievement of her art is most apparent.
For decades, Woolf's rapturous style and vision of individual consciousness have challenged and inspired readers, novelists, and scholars alike. The Annotated Mrs. Dalloway, featuring 150 illustrations, draws on decades of Woolf scholarship as well as countless primary sources, including Woolf's private diaries and notes on writing. The result is not only a transporting edition of Mrs. Dalloway, but an essential volume for Woolf devotees and an incomparable gift to all lovers of literature.
About the Author :
Merve Emre is an associate professor of English at the University of Oxford and the author of several books, including The Personality Brokers. Virginia Woolf (1882-1941) was the world-renowned author of Mrs. Dalloway, To the Lighthouse, and The Waves, among other works.
Review :
"[An] amazing, illustrated annotated edition… Unlike a lot of these books where you have to flick to the back or there are interrupting footnotes at the bottom, this is very usable, very navigable."
"[Emre’s] introduction combines personal testimony about her relationship to the novel—she is so devoted that she retyped Woolf’s manuscript for this edition—with deep research into its genesis... if you can read the novel a little more analytically, if you seek instruction on how it works and why, then this new edition will tell you all that you wish to know... Among its many illustrations, it includes a selection of maps, tracing the paths that Clarissa, Septimus and the other characters might have walked that day in 1923. The next time I’m in London with a few hours to spare, this is the Mrs. Dalloway for me."
"The Annotated Mrs Dalloway is timely… Emre finds Woolf’s life surfacing everywhere. Woolf’s thoughts, and her self, are irrepressible... Emre has created a kaleidoscope of revealing and illuminating images."
"Each edition has its own magnificence… Emre’s edition is a seminar, a reading experience masterfully directed by a warm voice urging attention and suggesting interpretation... As more Woolf books emerge from copyright, we can expect many more editions. I hope that they are as consistent in purpose and as pleasant to explore as Fernald’s and Emre’s... Emre, unlike Fernald, is not a Woolf scholar, but she is something else well suited to the task: a storyteller."
